Marina Heredia, world premiere with the Duisburg Philharmonic

Marina Heredia, world premiere with the Duisburg Philharmonic

Marina Heredia takes part next June 28 and 29 in the world premiere of En Libertad! El camino de los gitanos, for singer, percussion, flamenco guitar and orchestra. The piece was commissioned by the Duisburger Philharmoniker to José Quevedo ‘Bolita’ and Joan Albert Amargós as part of the artistic residency of the cantaora in the 2022/23 season of the orchestra, and the texts were written by Quevedo himself on an idea by Marina Heredia. Both Quevedo and Amargós will have an active participation in this premiere since the former, as Marina’s regular guitarist, will also perform as a soloist, along with Paquito González on the percussion; Amargós on his part will act as musical director.

Marina had already visited Duisburg in November 2022 as part of her artistic residence, offering two concerts with the orchestra and its principal conductor, Axel Kober, in which she sang El Amor Brujo by Manuel de Falla. This visit was closed with the show Garnata by Marina’s usual quintet, since the interest of the artistic direction goes beyond symphonic concerts and they have also programmed Marina Heredia’s flamenco company. In the same way, after this world premiere, Marina and her company, with the addition of several Duisburger musicians, will offer a concert with the repertoire of Marina’s latest album, Capricho. In addition, educational activities have also been programmed in schools, as well as conferences-concerts in collaboration with the Instituto Cervantes.

Marina Heredia, world premiere with the Duisburg Philharmonic

After the recent presentation of the 2023/24 season of the Galician Symphony Orchestra, we can also announce that the Spanish premiere of En Libertad will take place in May 2024 with the same soloists, this time conducted by José Trigueros. Marina is definitely the most demanded singer internationally for this repertoire; only last year she could be seen in Germany at the Konzerthaus, the Philharmonie and the Pierre Boulez Saal in Berlin; the Laieszhalle of the Elbphilharmonie in Hamburg, or the Lausitz Festival in Görlitz, and she has sung with important orchestras such as Chicago Symphony or San Francisco Symphony Orchestra, Orchestre National de Lille or Orquestra Sinfônica da Casa da Música do Porto in Portugal.


 

Marina Heredia sings El Amor Brujo with the Duisburger Philharmoniker

Marina Heredia sings El Amor Brujo with the Duisburger Philharmoniker

Marina Heredia will be artist-in-residence of the Duisburger Philharmoniker in the 2022/23 symphony season. After a season that saw her debuts with the Orquesta da Casa da Música do Porto or the Rundfunk Sinfonieorchester Berlin, and a summer that took her to the Granada International Music and Dance Festival and to Hamburg as a guest of the Martha Argerich Festival at the Laieszhalle of the Elbphilharmonie, Marina begun this season at the Lausitz Festival in Görlitz, the Seville Biennale or the inaugural concert of the Navarra Symphony Orchestra season, which was also the presentation of maestro Perry So as its new Musica and artistic Director, Marina will visit Duisburg up to four occasions to offer various concerts, both with the orchestra and with his flamenco company.

Marina’s residency begins with the quintessential work for cantaora with symphony orchestra, El Amor Brujo by Manuel de Falla. These concerts will take place at the Mercatorhalle in Duisburg, the orchestra’s usual venue, on November 9 and 10, under the direction of its principal conductor, Axel Kober. Next, on the 12th of that month in the same room, she will offer a flamenco recital with her company in quintet format, accompanied by guitar (José Quevedo ‘Bolita’), percussion (Paquito González) and choir / clapping (Fita Heredia and Anabel Rivera).

Marina Heredia, artist-in-residence of the Duisburger Philharmoniker

The second symphonic date will be at the end of the season and it will be the premiere of En Libertad! a work commissioned by the orchestra, composed jointly by José Quevedo ‘Bolita’ and Joan Albert Amargós, which will be conducted by Josep Pons on June 28 and 29. Quevedo, also the author of the texts, has based himself on the journey of the gypsy people from its original origins in the East to the Iberian Peninsula and, particularly, Andalusia. The residency closes with a new flamenco recital on July 1 whose program is based on the cantaora’s latest album, CAPRICHO, and which will feature the participation of musicians from the Duisburger Philharmoniker as guests along with the company’s musicians.


 

Marina Heredia, artist-in-residence of the Duisburger Philharmoniker

Marina Heredia, artist-in-residence of the Duisburger Philharmoniker

Marina Heredia will be artist-in-residence of the Duisburger Philharmoniker in the 2022/23 symphony season. After a season that saw her debuts with the Orquesta da Casa da Música do Porto or the Rundfunk Sinfonieorchester Berlin, and a summer that took her to the Granada International Music and Dance Festival and to Hamburg as a guest of the Martha Argerich Festival at the Laieszhalle of the Elbphilharmonie, still waiting for her visit to the Lausitz Festival in Görlitz, the Seville Biennale or the inaugural concert of the Navarra Symphony Orchestra season, which is also the presentation of maestro Perry So as its new Musica and artistic Director, Marina will visit Duisburg up to four occasions to offer various concerts, both with the orchestra and with his flamenco company.

Marina’s residency begins with the quintessential work for cantaora with symphony orchestra, El Amor Brujo by Manuel de Falla. These concerts will take place at the Mercatorhalle in Duisburg, the orchestra’s usual venue, on November 9 and 10, under the direction of its principal conductor, Axel Kober. Next, on the 12th of that month in the same room, she will offer a flamenco recital with her company in quintet format, accompanied by guitar (José Quevedo ‘Bolita’), percussion (Paquito González) and choir / clapping (Fita Heredia and Anabel Rivera).

Marina Heredia, artist-in-residence of the Duisburger Philharmoniker

The second symphonic date will be at the end of the season and it will be the premiere of En Libertad! a work commissioned by the orchestra, composed jointly by José Quevedo ‘Bolita’ and Joan Albert Amargós, which will be conducted by Josep Pons on June 28 and 29. Quevedo, also the author of the texts, has based himself on the journey of the gypsy people from its original origins in the East to the Iberian Peninsula and, particularly, Andalusia. The residency closes with a new flamenco recital on July 1 whose program is based on the cantaora’s latest album, CAPRICHO, and which will feature the participation of musicians from the Duisburger Philharmoniker as guests along with the company’s musicians.


 

Christian Vásquez and Marina Heredia in Macedonia

Christian Vásquez and Marina Heredia in Macedonia

Christian Vásquez and Marina Heredia join the Philharmonic of the Republic of North Macedonia to offer a Spanish and Latin American program that includes four of the Canciones españolas antiguas compiled and harmonized by Federico García Lorca, in an original orchestration by José Trigueros (Anda, jaleo; Las morillas de Jaén; Cuatro Muleros and Sevillanas del siglo XVIII), El Amor Brujo and El Sombrero de Tres Picos, Suite nº 2, by Manuel de Falla, along with the suite from the ballet Estancia, by Alberto Ginastera. The concert will take place next Thursday, February 15, at the Skopje Philharmonic Hall.

Lorca’s songs in their present orchestration were premiered in December 2021 by Marina Heredia herself, together with the Orquesta Sinfónica de Galicia and José Trigueros at the baton, at the Ciudad de la Cultura in Santiago de Compostela. This performance under conductor Christian Vásquez will be the first outside of Spain. This coming April, again with Trigueros at the baton and together with the Real Orquesta Sinfónica de Sevilla, Marina will again perform these songs at the Teatro de la Maestranza in Seville.

Christian Vásquez

This is the first time that Christian Vásquez and Marina Heredia will coincide for a symphonic project, although both of them have long careers with orchestras around the world. Last season, Marina Heredia, together with flamenco guitarist José Quevedo ‘Bolita’ and percussionist Paquito González as co-soloists, premiered a new work at the Mercatorhalle in Duisburg that adds to the symphonic repertoire for flamenco singer and symphony orchestra: In Freedom. The Journey of the Gipsies, a work composed by Quevedo himself together with Joan Albert Amargós, who also conducted the Duisburger Philharmoniker


 

Marina Heredia sings El Amor Brujo with Roberto Forés and the OSRM

Marina Heredia sings El Amor Brujo with Roberto Forés and the OSRM

Marina Heredia will sing El Amor Brujo by Manuel de Falla with the Symphony Orchestra of the Region of Murcia under the baton of Roberto Forés on November 16 and 17 at the Víctor Villegas Auditorium in Murcia and the Infanta Elena Auditorium in Águilas, respectively. Marina returns to El Amor Brujo after closing last season with the enormous success of En Libertad. El camino de los gitanos, a new work by José Quevedo “Bolita” and Joan Albert Amargós that was commissioned and premiered by the Duisburger Philharmoniker.

This premiere was part of an artistic residency of the cantaora in the season of the German orchestra, with which she also sang El Amor Brujo. Marina will perform again this immortal work by Falla along with the Spanish premiere of En Libertad with the Galician Symphony Orchestra and conductor José Trigueros, under whose baton she will also perform Canciones Españolas Antiguas by Federico García Lorca accompanied by the Royal Symphony Orchestra of Seville.

Marina Heredia at the Pierre Boulez Saal in Berlin

Marina Heredia is definitely the most in-demand singer internationally for this repertoire. Only last year and in Germany, she appeared at the Konzerthaus, the Philharmonie and the Pierre Boulez Saal in Berlin, at the Laieszhalle of the Elbphilharmonie in Hamburg, and at the Lausitz Festival in Görlitz. Marina has performed with orchestras such as the Chicago Symphony and the San Francisco Symphony, Orchestre National de Lille, Orquestra Sinfônica da Casa da Música do Porto, the Rouen Opera, the Mahler Chamber Orchestra, with which she recorded El Amor Brujo under the baton of Pablo Heras-Casado, or the production of La Fura del Baus for the Granada Festival under the baton of Manuel Hernández-Silva, as well as with the Navarre Symphony Orchestra under the baton of Perry So or the RTVE Orchestra, again under Hernández-Silva.