Christian Vásquez opens the Tongyeong Festival in Korea

Christian Vásquez opens the Tongyeong Festival in Korea

Christian Vásquez opens the Tongyeong Festival in South Korea on March 26 with a program that includes Fanfare & Memorial (1979), by Korean composer Isang Yung, Tchaikovsky’s Violin Concerto in D Major, Op. 35, with Bomsori Kim as soloist, and Symphony No. 5 in D minor, Op. 47 by Dmitri Shostakovich. Two days later, on March 28, he will conduct again the Tongyeong Festival Orchestra in a program that includes the Asian premiere of Fazil Say’s Cello Concerto Never Give Up, with Camille Thomas as soloist, and the Symphony No. 8 in G Major, Op. 88 by Antonin Dvořâk. Christian Vásquez has recently conducted two great concerts with the Symphony Orchestra of the Principality of Asturias, and upon his return from Korea he will once again conduct the Stavanger Symphony in Norway.

Christian Vásquez is Musical Director of the Teresa Carreño Symphony Orchestra of Venezuela, which he conducted on a remarkable European tour that took them to London, Lisbon, Toulouse, Munich, Stockholm and Istanbul. He was Principal Conductor of the Stavanger Symphony Orchestra from 2013 to 2019 and Principal Guest Conductor of the Het Gelders Orkest from 2015 to 2020, a position that he began with a Latin program on a tour around The Netherlands. Following his debut with the Gävle Symphony Orchestra in October 2009, one of his first appearances in Europe, Christian Vásquez was appointed Principal Guest Conductor of the orchestra (2010-2013). He has worked with the Philharmonia Orchestra, Residentie Orkest, Orchestre de la Suisse Romande, Vienna Radio Symphony Orchestra, Salzburg Camerata, Russian State Symphony Orchestra, Tokyo Philharmonic or Singapore Symphony Orchestra. In North America he has conducted the National Arts Center Orchestra (Ottawa) and the Los Angeles Philharmonic, during his participation in their Young Artist Fellowship program.

Christian Vásquez inaugura el Festival de Tongyeong

©Takafumi Ueno

He has conducted orchestras such as the Royal Northern Sinfonia, Orchestre National du Capitole de Toulouse, Sinfónica de Galicia, Berlin Konzerthausorchester, Prague Radio Symphony Orchestra, Warsaw Beethoven Festival Orchestra, Turku Philharmonic, Luxembourg Philharmonic, Radio Symphony Orchestra of Prague, Poznan Philharmonic, Rotterdam Philharmonic, New Jersey Symphony Orchestra, Helsinki Philharmonic, Mexican National Symphony Orchestra, Basel Symphony Orchestra, Munich Philharmonic, Gran Canaria Philharmonic and the Estonian National Orchestra. His first operatic engagement in Europe was at the Norwegian Opera with Carmen.

The Extremadura Symphony Orchestra performs ‘Cantos y Revueltas’

The Extremadura Symphony Orchestra performs ‘Cantos y Revueltas’

Cantos y Revueltas will be presented by the Extremadura Symphony Orchestra with its original cast of soloists and conductor —Pacho Flores, Leo Rondón and Manuel Hernández-Silva— on March 11 and 12. After its premiere in Santiago, Vigo and A Coruña with the orchestra Real Filharmonía de Galicia, and the recording of the concerts that led to a double CD/DVD released by Pacho’s label, Deutsche Grammophon, Cantos y Revueltas has been performed, always with this trio of artists, in Murcia (Murcia Region Symphony), Andalusia (Malaga Philharmonic Orchestra), and Pamplona (Navarre Symphony Orchestra).

Cantos y Revueltas had its American premiere in Miami with the Bolívar Philharmonic Orchestra and cuatro soloist Héctor Molina under Carlos Riazuelo, and later in Mexico, with the Jalisco Philharmonic led by Jesús Medina and Héctor Molina again. After this presentation with the Extremadura Symphony Orchestra, Cantos y Revueltas will be performed again in Colombia, Mexico, Canada, Norway, the United Kingdom and the United States, as well as in other Spanish cities yet to be announced.

Cantos y Revueltas, Extremadura Orchestra

Copyright RFG

In parallel to Cantos y Revueltas, Pacho Flores continues with his project of shared commissions for new trumpet concerts to distinguished composers such as Arturo Márquez, Paquito D’Rivera, Roberto Sierra, Christian Lindberg, Efraín Oscher and Daniel Freiberg. New premieres are scheduled both for the current as well as for next season, before starting a third phase of commissions that will be announced in due course. After these concerts with the Extremadura Symphony Orchestra, Pacho Flores and Manuel Hernández-Silva will meet once again in Colombia with the Bogotá Philharmonic Orchestra, an event that will include a new American presentation of Cantos y Revueltas as well as the premiere of one of Pacho’s latest works, a Divertimento for brass ensemble, showing the growing attention that Pacho Flores is paying to his composer facet, and which will soon bring new important news.