Pacho Flores dazzles in Tucson

Pacho Flores dazzles in Tucson

ONE: this is a brilliant program. Two brass concerti, featuring Venezuelan super-virtuoso Pacho Flores, and two popular Aaron Copland works, were bookended by sublime overtures by Mozart and Bernstein. ONE-A: a surprising common musical thread weaves its way through Mozart’s Overture to ‘The Abduction from the Seraglio’, the ‘Concerto for Corno da Caccia’, by J.B.G. Neruda (a contemporary of Bach and Mozart), and the first movement of the new Arturo Márquez ‘Concerto for Trumpet‘ – a sustained, repeated melodic syncopation. The TSO Music Director, José Luis Gomez, is a sly one!
 
Pacho Flores y José Luis Gómez con la Tucson Symphony en el estreno del Concierto de Otoño de Arturo Márquez

Copyright: Steven Gendel

 
TWO: this performance by Pacho Flores was a soulful and energetic gift to this audience. His tone, articulations, and musicality are masterly, while his virtuosity is both easy and mesmerizing. TWO-A: the Marquéz Concerto, written specifically for Pacho, covers a vast array of styles, and utilizes a different type of “corno” instrument for each movement. The finale, a virtuosic masterpiece, was given a BLISTERING, ear-opening performance by Pacho Flores – worth the price of admission alone. Even the (infamously sleepy) Tucson classical concert crowd was wowed to ovation. TWO-B: Señor Flores has a decidedly humorous side to his stage presence. To whit: solo brass performances always contain the necessary act of emptying the spit valves on the instrument. In the Neruda concerto, Pacho, large in physical stature, went through this routine with his miniature horn, emptying one valve, then holding the instrument above head level, to blow the saliva out of the second valve. Every player must engage in this chore, yet repeatedly executed, directly in front of the audience under spotlight, almost became a comic relief act during the beautifully and generously performed concerto. When, at the the end of the Márquez concerto, and again after the accompanied encore, Pacho tooted a spoiler note towards his comrade in arms, José Luis, the complete picture of his honest, open, and lovable joviality was complete. Great musicianship and fun showmanship all around! As composer Marquéz, who was here for this premier, came to the stage, a heart-warming, congratulatory celebration ensued between these three latin musical stars. What a treat for both the audience the orchestra!
 
Arturo Márquez y Pacho Flores
 
The second half opened — accompanied by the orchestra playing Copeland’s familiar ‘Our Town’ — with a splendid photographic presentation, projected above the Music Hall stage,of the history of the TSO, now in its 90th year, and other events and places in this city’s storied cultural history. A very moving experience for everyone in attendance. The second half feature, the ever-popular ‘Four Selections From Rodeo’ by Copeland, and especially Bernstein’s virtuoso circus for orchestra, A.K.A. ‘The Overture to Candide’, were given, on this night, top notch execution and interpretation. These closing pieces, again, as we have come to expect, showed off the beautiful marriage of this orchestra and its Music Director. This is a fine, fun, and talented ensemble, whose love for its conductor is expressed in how well they respond to his exuberant, expressive direction. It is obvious, watching and listening, that this immense positive energy overflows in both directions. This longish program, was yet satisfying every joyful step of the way. Bravi, tutti!
 
Friday night, 25 January 2019, Tucson Symphony Orchestra’s ‘Fresh Music, Copland and More’ Classic concert:
gendelsmusicreviews.blogspot.com – Steven Gendel – Tucson, 26.01.2019
 
 
 
 
 
 
 
Pacho Flores, USA premiere with the Tucson Symphony

Pacho Flores, USA premiere with the Tucson Symphony

Pacho Flores makes his debut with the Tucson Symphony Orchestra under the baton of its Chief Conductor José Luis Gómez for the US premiere of Arturo Márquez’s Concierto de Otoño on January 25 and 27. This is the second premiere following that of last September by the National Orchestra of Mexico and itsChief Conductor, Carlos Miguel Prieto, and pending in Asia are premieres by the Orchestra of the Center of Performing Arts of Hyogo with Michiyoshi Inoue next May, and the European premiere, which will close the cycle next August with the Oviedo Filarmonía under its newChief Conductor Lucas Macías. This is what Maestro Márquez explains on his Concerto (video).

While this second premiere is still pending, other orchestras around the world have already scheduled the Concierto de Otoño to be performed twice during the 2019/20 in the USA, Colombia, where it will be premiered in South America, and three times in Spain before being premiered in France, the UK, Germany and Canada, meaning that in just two seasons, in addition to the four premieres resulting from the commission, it will have been the subject of more than two dozen performances, always, of course, by Pacho Flores.

Arturo Márquez Pacho Flores Proyecto Encargos Compartidos

Arturo Márquez

This commission is part of an ambitious project of shared commissions launched by Pacho Flores himself in order to expand the repertoire of trumpet and orchestra and is the first of six commissions to composers Roberto Sierra, Paquito D’Rivera, Efraín Oscher, Christian Lindberg and Daniel Freiberg, in which ten other orchestras from around the world are already involved for their premieres over the coming seasons. All the concerts resulting from this project will increase the discography of Pacho Flores on his exclusive label Deutsche Grammophon.

Pacho Flores Entropía Serbia

In parallel with this project Pacho Flores continues to receive dedications of new concerts and perform absolute premieres. Over the last year Pacho has premiered his own work, Cantos y revueltas (January 2018, Real Filharmonía de Galicia, Manuel Hernández-Silva); the concert Stunning Trumpet by Giancarlo Castro (February 2018, Ulster Orchestra, Rafael Payare); Preach pour trompette et orchestre by Alain Trudel (March 2018, Orchestre Symphonique de Laval, Alain Trudel); Double concerto for clarinet and trumpet (August 2018, Norddeutsche Philharmonie Rostock, Markus Bosch, with Matthias Schorn) and Latin American Chronicles by Daniel Freiberg (January 2019, Het Gelders Orkest, Christian Vasquez); and the new Double Concierto for Trumpet and Trombone by Christian Lindberg (March 2019, Orchestra of the Spanish Radio and Television, Christian Lindberg, with Ximo Vicedo) and the Concierto for trumpet no. 1 by Arturo Sandoval (July 2019, Buenos Aires Philharmonic Orchestra, Enrique Diemecke). (Translation: John Eastham)

 

 

 

Pacho Flores on tour in Europe

Pacho Flores on tour in Europe

On the occasion of the presentation of FRACTALES, his most recent recording for Deutsche Grammophon together with the Arctic Philharmonic Orchestra and Christian Lindberg, Pacho Flores begins an international tour that will take him to venues in Norway, Holland and Spain, where he will offer various works from the album, such as the Haydn and Arutunian concertos and Akban Bunka by Christian Lindberg. Fractales may be purchased, listened to and downloaded here.

On 7 and 8 November at the Kulturhuset in Tromso and the Stormen Hall in Bodø, the two Arctic Philharmonic Orchestra venues, he will play the Haydn and Aruturnian concertos; on 11 November at the Concertgebouw in Amsterdam will perform the Haydn concert and on 14 November at the Auditorio de la Diputación de Alicante, where the Israel NK Orchestra will replace the Arctic, he will play Akban Bunka by Christian Lindberg.

Pacho Flores portada de disco Fractales

In December Pacho will be travelling between Asia and Finland to offer a series of concerts with the Singapore National Youth Orchestra at the Esplanade Concert Hall in Singapore conducted by Peter Stark on the 6th; and at the Xinghai Concert Hall in Guangzhou (China) and the Hong Kong Culture Centre Concert Hall conducted by Joshua Tan on the 23rd and 26th. In these concerts Pacho will play Arutunian’s Concerto. In between, on December 12th and 13th, Pacho will play Piazzolla’s Oblivion and Invierno Porteño together with the Haydn concerto with the Kymi Sinfonietta and Olari Elts in the Finnish towns of Kotka and Kouvola.

Pacho Flores, portadas de los tres discos de Deutsche Grammophon

The new year will take Pacho to the Dutch towns of Zutphen, Arnhem and Nijtmegen to offer, along with the Het Gelders Orchestra and Christian Vásquez, an intense programme consisting of Villalobos’ Aria de la Bachiana nº 5, Christian Lindberg’s Akban Bunka, the absolute premiere of Daniel Freiberg’s Crónicas Latinoamericanas in its version for trumpet and to finish a samba by Pacho himself entitled Labios Vermelhos. These performances will take place on January 4, 5 and 6, before he leaves for the U.S., where on January 25 and 27 he will play with the Tucson Symphony Orchestra and Jose Luis Gomez, the U.S. premiere of Arturo Marquez’s Concerto, the result of the shared commissions project that Pacho is involved with. This concert premiered last September with the National Orchestra of Mexico and its Japanese and Spanish premieres are already scheduled, with the Hyogo PAC Orchestra and Michiyoshi Inoue and the Oviedo Filarmonía and Lucas Macías in May and August respectively. (Translation: John Eastham)

 

 

 

 

FRACTALES, new Pacho Flores’ recording for DG

FRACTALES, new Pacho Flores’ recording for DG

Pacho Flores, together with Christian Lindberg and the Arctic Philharmonic Orchestra, presents his new Deutsche Grammophon recording FRACTALES. Recorded last May at the Stormen Hall in Bodo, one of the Norwegian orchestra’s headquarters, FRACTALES includes trumpet masterpieces such as Haydn and Arutunian concertos, the astonishing contemporary composition Akban Bunka by Christian Lindberg and some of the key works in Pacho’s repertoire such as his own transcription of Sarasate’s Gypsy Airs and Efraín Oscher’s arrangements of Tom Jobim’s Chega de Saudade and Piazzolla’s Oblivion.

FRACTALES is Pacho’s third recording for Deutsche Grammophon following CANTAR, recorded with the Berlin Funkhausorchester and Christian Vásquez and ENTROPÍA, with guitarist Jesús ‘Pingüino’ González. Some of the works included in this recording will be played in the tour presentation concerts in Bodo and Tromso, Norway (Haydn and Arutunian), the Amsterdam Concertgebouw (Haydn) and the ADDA Auditorium in Alicante, Spain (Lindberg).

Pacho Flores portada de disco Fractales

As well as professional partners, Pacho and Christian are very good friends and FRACTALES is not their only project together. Christian, trombonist, composer and conductor, is writing a new Double Concerto for trumpet and trombone that will be premiered on March 21 and 22, 2019, with Christian conducting the Spanish Radio and Television Orchestra and Ximo Vicedo on trombone. He is also collaborating with Pacho in his Project of Shared Commissions of New Trumpet Concertos.

Pacho Flores composición portadas Deutsche Grammophon

With regard to this project, Arturo Márquez’s Concierto de Otoño has already been premiered by the National Orchestra of Mexico and Carlos Miguel Prieto and further premieres are planned with the Tucson Symphony Orchestra and José Luis Gómez in the USA, with the Hyogo PAC Orchestra and Michiyoshi Inoue in Japan and with the Oviedo Filarmonía and Lucas Macías in Spain. New concertos by Roberto Sierra, Paquito D’Rivera, Efraín Oscher and Christian Lindberg will be premiered in the coming seasons. Following FRACTALES, Pacho is already working on new recording projects.

Pacho Flores y Christian Lindberg sonriendo Fractales

 

 

 

Pacho Flores premieres Arturo Márquez’s trumpet concerto

Pacho Flores premieres Arturo Márquez’s trumpet concerto

On September the 7th and 9th, Pacho Flores will play the first of four premieres of Arturo Marquez‘s new Concierto de Otoño for trumpet and orchestra, with the National Symphony Orchestra of Mexico and its Chief Conductor Carlos Miguel Prieto at the Palacio de Bellas Artes in Mexico D. F. This premiere is the result of a shared commission between the National Symphony Orchestra of Mexico, the Tucson Symphony Orchestra, the Hyogo PAC Orchestra (Japan) and the Oviedo Filarmonía (Spain).

The four premieres will take place as follows:

September, 7/9, 2018 – National Symphony Orchestra of Mexico, conductor, Carlos Miguel Prieto, Palacio de Bellas Artes, Mexico DF

January, 25/27, 2019 – Tucson Symphony Orchestra, conductor, José Luis Gómez, Tucson Music Hall

May, 24/25/26, 2019 – Hyogo PAC Orchestra (Japan), conductor, Michiyoshi Inoue; Hyogo Performing Arts center 

August, 14, 2019 – Oviedo Filarmonía (Spain), conductor, Lucas Macías, Auditorio Príncipe Felipe, Oviedo

Arturo Márquez (Álamos, Sonora, 1950) is without discussion the most important Mexican composer alive. He wrote masterpieces such as Danzón nº 2 (1994) or Conga del Fuego (2005), which gave him international relevance. He joins a distinguished lineage of Mexican composers like Silvestre Revueltas or Carlos Chávez, who based their music on the traditions and genres of Mexican popular music. Maestro Márquez was given the Prize of the Fine Arts by the Mexican Government in 2009. 

Arturo_Márquez_Pacho_Flores_Proyecto_Encargos_Compartidos

Arturo Márquez

The Concierto de Otoño (Autumn Concerto) is 16 minutes long and was composed between January – June of 2018. It has three movements: Son de luz, Balada de floripondios and Conga de Flores, and requires the use of four trumpets: trumpet in C in the first; flugelhorn and Hornet in F in the second; and trumpet in D in the third. Even before its first premiere, several orchestras have already shown interest in programming the piece once the four premieres would be done by each of the four commissioning orchestras.

Pacho Flores. Project of shared commissions

This premiere is the first of an ambitious project by Pacho Flores to create shared commissions spanning across several seasons that extend the repertoire of solo trumpet and orchestra. In addition to Arturo Márquez, four prominent composers such as Roberto Sierra, Paquito D’Rivera, Efraín Oscher and Christian Lindberg, have joined Pacho in this project.

Pacho Flores. Composición compositores Márquez, Sierra, D'Rivera, Oscher, Lindberg

Left to right and top to bottom: Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Efraín OScher and Christian Lindberg

Orchestras from all around the world (Puerto Rico, Brazil, Mexico, United States, Japan, United Kingdom, Sweden, Spain…) are joining this project, which, at its end, will have reunited twenty orchestras and thus, the same number of premieres. Besides leading this project, Pacho Flores is also premiering new trumpet concertos and beginning a career as a composer. Between his last and next premieres we can mention:

Pacho Flores: Cantos y revueltas (11/12/13 January 2018, Real Filharmonía de Galicia, Manuel Hernández-Silva)

Giancarlo Castro: Trumpet concerto (23 February 2018, Ulster Orchestra, Rafael Payare). 

Alain Trudel: Preach, pour trompette et orchestre (14 March 2018, Orch. Symphonique de Laval, Alain Trudel)

Efraín Oscher: Apex, double concerto for clarinet and trumpet (29 August 2018, Matthias Schorn, Norddeutsche Philharmonie Rostock, Marcus Bosch)

Daniel Freiberg: Latin American Chronicles Concerto (4/5/6 January 2019, Het Gelders Orkest, Christian Vásquez)

Christian Lindberg: Double concerto for trumpet and trombone (21/22 March 2019, Orquesta de RTVE, Christian Lindberg; Ximo Vicedo, trombone).