Pacho Flores will premiere Arturo Sandoval’s Concerto for Trumpet No. 1 with the Buenos Aires Philharmonic Orchestra under maestro Enrique Diemecke on July 11 at Teatro Colón. This concert has a peculiar history: Sandoval himself recorded it with the London Symphony for RCA-Victor in 1994; however, due to some problems with the location of the materials, he never performed it live. Years later, after meeting Pacho Flores and recovering some fragments of notes and other various materials, he decided to give them to Pacho so that he could revise them —practically reconstruct the concert— and premiere it. This gesture shows the excellence of a living legend of the trumpet by ackknowledge the talent of a young artist, thus recalling the great Dizzi Gillespie when he gave young Sandoval a trumpet with the inscription “To my son”. Arturo Sandoval is also the author of a second concert for trumpet and orchestra that he and Rubén Simeó, another great Spanish trumpet player, usually perform around the world.
This Concerto No. 1 by Arturo Sandoval that Pacho now adds to his repertoire enlarges the impressive list of new concerts that Pacho himself is promoting through his project of shared commissions for trumpet concerts, which is causing the greatest increase of the soloist repertoire for this instrument in all its history. Composers such as Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Christian Lindberg, Daniel Freiberg and Efraín Oscher participate in this project, and others like Giancarlo Castro, Alain Trudel and Igmar Alderete are also composing new concerts dedicated to Pacho Flores.
After this, the European premiere of Arturo Márquez’s Concierto de Otoño will take place on August 14 at Teatro Campoamor in Oviedo, with the Oviedo Filarmonía and Lucas Macías. This will be the fourth and last premiere after Mexico, USA and Japan with the National Symphonic Orchestra of Mexico under Carlos Miguel Prieto, Tucson Symphony Orchestra under José Luis Gómez, and Hyogo PAC Orchestra led by Michiyoshi Inoue, the four orchestras that commissioned this work. Only two weeks later, on September 1, will follow the premiere in Mexico of Paquito D’Rivera’s Concierto Venezolano by the Orquesta de Minería, again under Carlos Miguel Prieto, who has a great presence in this project by also scheduling Márquez’s Concierto de Otoño at the Opening Gala of the Louisiana Philharmonic Orchestra, of which he is principal conductor. D’Rivera’s Concierto Venezolano already has a second scheduled premiere with the San Diego Symphony under Rafael Payare in March 2020. For his part, Manuel Hernández-Silva will conduct the premiere of the new trumpet concert by Efraín Oscher next November with the Real Filharmonía de Galicia, and we will not have to wait long for the premiere of Roberto Sierra’s Salseando by the Royal Liverpool Philharmonic and Domingo Hindoyan in January 2020.
Pacho Flores and Hernández-Silva meet again for a joint debut and a double program with the Galician Symphony Orchestra, where Pacho is artist in residence this season. The first program will be part of the Easter workshop of the Galician Youth Symphony Orchestra and include Concierto de Otoño, by Arturo Márquez, and Albares, a concert for flugelhorn by Pacho himself, together with Tchaikovsky’s Symphony No. 4. This concert will take place at the Palacio de la Ópera de Coruña on April 9. The second program, a subscription concert, will feature Kalinnikov’s Symphony No. 1, Paquito de Rivera’s Concerto Venezolano and the world premiere of Altar de Bronce, a trumpet concerto by Gabriela Ortiz dedicated to Pacho and jointly commissioned by the OSG with the Royal Liverpool Philharmonic Orchestra, the Minería Symphony Orchestra, the New World Symphony and the San Diego Symphony. These concerts will take place at the Ferrol Auditorium and the Palacio de la Ópera de A Coruña on April 13 and 14, respectively. A few days later, on April 18, Pacho will offer a chamber recital with the guitarist Jesús ‘Pingüino’ González within the season of the Philharmonic Society of A Coruña as part of his artistic residence with the OSG, performing the repertoire of his album ENTROPÍA. González will also participate as a cuatrista in D’Rivera’s work the previous week.
Gabriela Ortiz is one of the most prominent composers of today. She has received commissions from soloists and orchestras such as the Los Angeles Philharmonic, New York Philharmonic, National Orchestra of Britain, Cincinnati Symphony Orchestra, Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Royal Liverpool Philharmonic, Galician Symphony Orchestra, New World Symphony Orchestra, San Diego Symphony Orchestra, Orquesta de Minería, Kroumata and Amadinda Percussion Ensembles, Kronos Quartet, Latin American Quartet, Southwest Chamber Music, Tambuco Percussion Quartet, Hungarian Philharmonic Orchestra, Malmö Symphony Orchestra, Simon Bolivar Symphony Orchestra, etc. Ortiz has been distinguished with the National Prize for Arts and Literature of Mexico, the Mexican Academy of Arts, the First Prize in the Silvestre Revueltas National Chamber Music Contest and the Alicia Urreta Composition Contest, or the Mozart Medal Award, among others.
Pacho Flores with Vicente Honorato, CEO of STOMVI
Altar de Bronce is the seventh trumpet concerto to emerge from the project of shared commissions for new trumpet concertos by prominent composers such as Arturo Márquez, Paquito D’Rivera, Roberto Sierra, Efraín Oscher, Christian Lindberg, Daniel Freiberg and Gabriela Ortiz. A unique peculiarity of Pacho Flores’ concerts is the amount of instruments that he uses. In close collaboration with the R+D department of the STOMVI company, they have jointly developed new prototypes in various keys, all of them with four pistons. If the fourth piston alone manages to widen the tessitura of the instrument, the sum of several of these instruments with low, medium and high registers in each work multiplies both the range as well as the timbre and color in an extraordinary way, since he combines cornets, trumpets and flugelhorn. For these concerts with OSG, Pacho will use up to 10 different trumpets: C cornet, D cornet, soprano F cornet, soprano G cornet; Bb, C, A and D flugelhorns, C trumpet and D trumpet, distributed as follows: Arturo Márquez, C trumpet, Bb flugelhorn, soprano F cornet; Pacho Flores, C flugelhorn, low A flugelhorn and soprano D flugelhorn, (all of them new prototypes made specifically for this concert); Paquito D’Rivera, C cornet, C trumpet, soprano G cornet, Bb flugelhorn, soprano F cornet; Gabriela Ortiz, D cornet, Bb flugelhorn, C and D trumpets.
This is the list of orchestras that have participated in the project, with the names of the conductors and dates of premieres, either already performed or planned, and all of them, naturally, by Pacho Flores.
Arturo Márquez – Concierto de Otoño
National Symphony Orchestra of Mexico (Mexico), Carlos Miguel Prieto, September 7 and 9, 2018; Tucson Symphony Orchestra (USA), José Luis Gómez, January 25 and 27, 2019; Hyogo PAC Orchestra (Japan), Michiyoshi Inoue, May 24, 25 and 26, 2019; Oviedo Filarmonía (Spain), Lucas Macías, August 14, 2019.
Paquito D’Rivera – Concerto Venezolano
Minería Symphony Orchestra (Mexico), Carlos Miguel Prieto, September 1, 2019; Royal Liverpool Philharmonic Orchestra (United Kingdom), Domingo Hindoyan, November 11 and 14, 2021; Valencia Orchestra (Spain), Hernández-Silva, February 3, 2022; San Diego Symphony (USA), Rafael Payare, February 25, 26 and March 2, 2022.
Roberto Sierra – Salseando
Royal Liverpool Philharmonic Orchestra (UK), Domingo Hindoyan, January 9, 2020; Symphony Orchestra of the Region of Murcia (Spain), Hernández-Silva, December 17, 2020; Symphony Orchestra of the State of São Paulo (Brazil), Carlos Miguel Prieto, March 31, April 1 and 2, 2022; Orchestre National de Bordeaux Aquitaine (France), Hernández-Silva, June 3, 2022.
Daniel Freiberg – Historias de Flores y Tangos
Oviedo Filarmonía (Spain), Lucas Macías, October 23, 2021; Minería Symphony Orchestra (Mexico), Carlos Miguel Prieto, August 20 and 21, 2022; Arctic Philharmonic (Norway), Hernández-Silva, March 16 and 17, 2023; Walla Walla Symphony (USA), Yaacob Bergman, May 2, 2023.
Efraín Oscher – Danzas Latinas
Royal Philharmonic of Galicia (Spain), Hernández-Silva; November 21 and 22, 2019.
Gabriela Ortiz – Altar de Bronce
Galician Symphony Orchestra (Spain), Hernández-Silva; April 14 and 15, 2023; Royal Liverpool Philharmonic Orchestra (United Kingdom), D. Hindoyan; July 8, 2023; Minería Symphony Orchestra (Mexico), Carlos Miguel Prieto, August 19 and 20, 2023; New World Symphony (USA), Carlos M. Prieto; February 9 and 10, 2024; San Diego Symphony (USA), Rafael Payare, February 16 and 17, 2024.
Christian Lindberg – Caballos Mágicos
Royal Philharmonia of Galicia (Spain), Paul Daniel, May 27 and 28, 2021; Swedish Chamber Orchestra (Sweden), Christian Lindberg, September 30, 2021; Central Ohio Symphony (USA), Jaime Morales, March 17, 2024; Bilkent Symphony Orchestra (Turkey), Christian Lindberg, 2024/25 season.
D. Freiberg, A. Márquez, P. D’Rivera, P. Flores and C. M. Prieto during the recording of ESTIRPE for Deutsche Grammophon
In addition, throughout this period Pacho Flores has also premiered other concerts that some composers have written for him on their own initiative or that have been commissioned by other orchestras in parallel to this project: Pacho Flores: Cantos y revueltas (11/12/13 January 2018, Real Filharmonía de Galicia, Hernández-Silva); Giancarlo Castro: Stunning Trumpet (February 23, 2018, Ulster Orchestra, Rafael Payare); Alain Trudel: Preach, pour trumpette et orchestre (March 14, 2018, Orchester Symphonique de Laval, Alain Trudel); Efraín Oscher: Apex, Double concerto for clarinet and trumpet (August 31, 2018, Norddeutsche Philharmonie Rostock, Markus Bosch); Daniel Freiberg: Latin American Chronicles (4/5/6 January 2019, Het Gelders Orkest, Christian Vásquez); Christian Lindberg: Un sueño morisco, double concerto for trumpet and trombone (March 21/22, 2019, RTVE Orchestra, Christian Lindberg); Arturo Sandoval: Trumpet Concerto (July 11, 2019, Buenos Aires Philharmonic Orchestra, Enrique Diemecke); Eleanor Alberga: Invocation (20 September 2021, London Schools Symphony Orchestra, Peter Ash); Pacho Flores: Heterónimos, concertino for trumpet (April 24, 2022, Symphony of the Region of Murcia, Flores; Albares, concert for flugelhorn, April 29, 2022, Tenerife Symphony, Christian Vásquez); Igmar Alderete: Mambí, Concerto for trumpet and orchestra (June 16 and 17, 2022, Orquesta de Córdoba, Carlos Domínguez-Nieto); Sonia Morales: Divertimento Caribeño, No. 6 (March 17, 2024, Central Ohio Symphony, Jaime Morales); Tuomas Turriago: Trumpet Concerto (April 5, 2024, Tampere Philharmonia, Christian Vásquez). Other concerts are currently being created by composers such as Alonso Toro, Mauricio González Brito or Igmar Alderete.
Pacho Flores premieres the Concierto Mambí, trumpet concerto No. 1, by the Cuban composer Igmar Alderete with the Córdoba Orchestra and its Chief Conductor, Carlos Domínguez-Nieto. It will be at the Gran Teatro de Córdoba on June 16 and 17, 2022 and the program also includes the Concierto de Otoño by Arturo Márquez. Concerto No. 1, Mambí, for trumpet and orchestra, composed in 2010 for trumpet in B flat, revised between 2021 and 2022 and specially adapted for Pacho Flores and the variety of four-piston instruments he uses: trumpet in C, flugelhorn , high cornet in A, trumpet in B flat and piccolo trumpet in D. With a marked chamber character and reduced orchestration, its melodic and harmonic treatment is transparent, requiring great precision and balance. In the richness and rhythmic variety is where the author exposes with greater clarity the fundamentals of the concert, entitled Mambí (rebellious slave who fought against Spanish colonialism in the 19th century), it is a work of great virtuosity for the soloist, brilliant passages and difficulty technique, at the same time of deep expressiveness and lyricism in its second movement to the rhythm of Bolero in its central part, two cadenzas and moments of freedom for improvisation.
Igmar Alderete is a total musician, composer, classical and jazz violinist and arranger, born in Havana, Cuba, in 1969, he has been a violinist with the Córdoba Orchestra since 1994. His music gathers feelings and experiences that integrate new sonorities of great richness rhythmic, in a syncretism of resources that clearly reflects its roots: Afro-Cuban music, contemporary art music and popular music. Within its extensive catalog, his two concerts for marimba stand out, both premiered by Carolina Alcaraz, Concert No. 1 for clarinet, La Leyenda del Cimarrón, Nostalgia del Sur, Symphony No. 1 Influences, commissioned by the AEOS author foundation and the Córdoba Orchestra, directed by Manuel Hernández Silva, Esquemas Rotos or Bailando con arcos. His production of chamber music is also prolific with works such as Sones de America, for marimba, vibraphone and string quartet, Desafío concertante, for violin and saxophone quartet, the Suite Mosaico, for vibraphone, string quintet and piano, Introducción y Guajira for clarinet and string quartet, Aires del Sur, for solo clarinet, quartets, trios, etc. Soloists such as Paquito D’Rivera, Matthias Schorn, Vasko Vassiliev, Carolina Alcaraz, Katarzyna Mycka, Javier Nandayapa, Cuarteto de La Habana or the Trio Brouwer have premiered and recorded their works in forums such as the Mecklenburg-Vorpommern Festival, Lincoln Center in New York , Cycle of Contemporary Music of Córdoba, Poland or Mexico.
This is the last of the lavish series of premieres that Pacho Flores has carried out throughout the course that is ending. The season began with the London premiere of Invocation, by Eleanor Alberga; in Bilbao he offered the premieres of the concerts by Arturo Sandoval and Arturo Márquez in their version for band, whose arrangements he himself made; the first premiere of Historias de Flores y Tangos by Daniel Freiberg with the Oviedo Filarmonía and Lucas Macías took place in Oviedo; then he premiered the Concerto Venezolano by Paquito D’Rivera in the United Kingdom with the Royal Liverpool Philharmonic and Domingo Hindoyan, which shortly after had its Spanish premiere by Manuel Hernández-Silva and the Valencia Orchestra and later closed its cycle with the US premiere with the San Diego Symphony and Rafael Payare. Shortly after, the Brazilian premiere of Salseando, by Roberto Sierra, with the OSESP and Carlos Miguel Prieto took place, the cycle of which closed just a few days ago with the French premiere with the Orchestre National de Bordeaux and, once again, Manuel Hernández-Silva. Previously he had premiered his own flugelhorn concerto, Albares, with the Tenerife Symphony and Christian Vásquez; and, although on this occasion as a conductor and not as a soloist, he premiered with the Murcia Region Symphony the Concierto del Mar, for four Venezuelans and orchestra, by Leo Rondón, with the author in the solo part. In total, there are eleven premieres throughout the season, which continue this summer with the American premiere of Historias de Flores y Tangos, by Freiberg, with the Minería orchestra and Prieto, together with which he will also present his latest recording release in Deutsche Grammophon. Next season the two remaining premieres of Freiberg will take place, with the Arctic Philharmonic of Norway and Hernández-Silva, and the Walla Walla Symphony and Yaacov Bergman; and the process of premiering the new concert by Gabriela Ortiz begins, with the Spanish and British premieres, the Galician Symphony and Hernández-Silva and Royal Liverpool and Domingo Hindoyan respectively, orchestras for which he will be Artist-in-Residence throughout the season. This summer he will also be a resident artist at La Virée Classique, the festival of the Montreal Symphony Orchestra, where he will offer three concerts, two as a soloist under the baton of Rafael Payare and another as a soloist-conductor leading the brass and percussion ensemble of the festival.
The Venezuelan Cuatro player Leo Rondón makes his debut at the Salzburg Pentecost Festival as part of the L’Arpeggiata ensemble, conducted by Cristina Pluhar, which will perform a program entitled Torre del Oro. The Salzburg Pentecost Festival has Seville as the central theme of its programming for 2022, which is celebrated between June 3 and 6. A new production of Il barbiere di Siviglia with stage direction by Rolando Villazón will open the festival with its director, Cecilia Bartoli, playing the role of Rosina, with whom she made her professional debut at the end of the 1980s. The concert in which the Cuatro player Leo Rondón participates will take place on Saturday, July 4 at the Haus für Mozart in the Austrian city.
About this program in which the cuatrista Leo Rondón participates, the festival says: On the banks of the Guadalquivir is the symbol of Seville, the twelve-sided Torre del Oro. For many centuries, the port in front of the Torre del Oro was the departure point for Spanish galleons sailing to South America and returning to Seville laden with treasure. But it also symbolizes the lively and enriching exchange between peoples and cultures. In this concert, L’Arpeggiata opens the golden door from the Old to the New World. The starting point of the musical journey is the music of Alonso Mudarra. The Sevillian composer (1508-1580) is one of the most important Spanish vihuelists of the 16th century, whose innovations in instrumental and vocal music were so significant that his work is still recognized today. Mudarra’s works were published in the collection Tres libros de música en cifra para vihuela de Sevilla in 1546. It contains variations of folías, tientos, pavanas, gallardas, romanescas, canzones, villancicos and sonnets in Latin, Spanish and Italian, which can be found among the oldest solo songs with instrumental accompaniment. From this collection the musical path leads to South America and the “living baroque” in the traditional musical culture there to this day. The Venezuelan cuatro, a key instrument in the Caribbean country’s folklore, is a direct descendant of the vihuela, and popular and traditional Venezuelan music is truffled with the aroma of both courtly and popular Spanish music, and its most characteristic forms, such as the joropo, descends directly from the fandango.
Cover of Cantos y Revueltas, with Flores, Rondón, the Real Filharmonía and Hernández-Silva
Cuatrista, guitarist, double bassist, composer-arranger and producer, Leo Rondón is one of the most outstanding representatives of his instrument who has performed in concert halls and festivals in Venezuela, Colombia, Portugal, Spain, France, Germany, Italy, Luxembourg, Switzerland, Sweden, United Kingdom, Belgium, Holland, Kazakhstan and Morocco, with different groups and in collaborations with artists such as Quatuor Debussy, Rolando Villazón, Emiliano González Toro, Richard Galliano, Didier Lockwood, Cristóbal Soto, Ricardo Sandoval, Alexis Cárdenas, Simón Bolívar Big Band of Jazz, Omar Acosta and Roberto Koch, Pacho Flores or Manuel Hernández-Silva, among others. As a soloist, he has appeared alongside Alexis Cárdenas and Recoveco in the show El Fuego Latino organized by the Orchester National d’Île-de-France and under the baton of maestro Alondra de la Parra, presenting seven concerts in the Parisian region, where they stand out the Philharmonie de Paris or the Opera Garnier. In Spain, he has performed with the Royal Philharmonic Orchestra of Galicia, the Malaga Philharmonic Orchestra, the Navarra Symphony, the Murcia Region Symphony, the Extremadura Orchestra, the Valencia Orchestra and the Gran Canaria Philharmonic Orchestra, and among his next commitments are the Royal Liverpool Philharmonic, Arctic Philharmonic or Swedish Chamber Orchestra. He has participated in the album CANTOS Y REVUELTAS, by Pacho Flores, for Deutsche Grammophon, with the Real Filarmonía de Galicia and Hernández-Silva and has recently premiered his CONCIERTO DEL MAR for four Venezuelans and orchestra with the Murcia Region Symphony under the baton of Pacho Flores.
He won third place in the 2007 Siembra del Cuatro, and second place in 2012, as well as in 2011 as a cuatro player at the El Silbón (Venezuela) and San Martín (Colombia) festivals. He is currently a cuatrista, arranger and producer of the Ávila Quartet, a Venezuelan music quartet, as well as a cuatrista with the Ensemble L’Arpeggiata, directed by Christina Pluhar, Alexis Cárdenas y Recoveco, Venezuelan Roots and Joropo Jam, in addition to his solo project Leo Rondon Project. He organizes since 2010, together with the teacher Cristóbal Soto, the Summer Course Música Criolla Venezolana, a Venezuelan music teaching camp in the city of Mirecourt, France. Leo Rondón uses a cuatro made by Mathias Caron.
Pacho Flores will make his debut with the Colorado Springs Philharmonic in two concerts with its principal conductor, Spanish Josep Caballé-Doménech. The concerts will take place on November 16 and 17 at the Pikes Peak Center with a program entitled “Free Spirit”, consisting of works by Gershwin and Ginastera, Concierto de Otoño by Arturo Márquez, the Aria de the Bachiana No. 5 by Villalobos, Morocota, a Venezuelan waltz by Pacho Flores himself, and Invierno, from the Cuatro Estaciones Porteñas by Astor Piazzolla.
Colorado Springs is already Pacho’s third visit to the US so far since the beginning of this intense season, which started with the premiere in Mexico of Concierto Venezolano by Paquito D’Rivera, with the Orquesta de Minería and Carlos Miguel Prieto, a historic evening during which Pacho played four trumpet concerts in the same program: Márquez’s Concierto de Otoño, which had been premiered a year earlier in the same country and with the same conductor but with the National Orchestra; the afore mentioned concert by D’Rivera; Crónicas Latinoamericanas by Daniel Freiberg; and Efraín Oscher’s Concierto Mestizo, a preamble of the album recorded with this same repertoire the following week.
Arturo Márquez, Paquito D’Rivera, Roberto Sierra, Christian Lindberg, Efraín Oscher and Daniel Freiberg
Pacho traveled afterwards to New Orleans to play with the Louisiana Philharmonic before visiting Poland to perform with the Beethoven Academy Orchestra, then to Switzerland to play with the Strasbourg Philharmonique and Kirill Karabits at the KKL in Lucerne, and then returned to the US to participate in the Latin American Festival of Fort Worth, Texas. After some master classes in Zurich, Pacho will travel to Bogota to perform with the Philharmonic Orchestra led by his friend, maestro Christian Vásquez, and from there he will head to Colorado Springs.
Pacho Flores and Paquito D’Rivera recording D’Rivera’s Concerto Venezolano
Pacho will after this return to the Royal Galician Philharmonia with Manuel Hernández-Silva for a double event, in which he will present Cantos y Revueltas, his fourth album for Deutsche Grammophon recorded live with this same orchestra and conductor, and also premiere Danzas Latinas, Efraín Oscher’s new concert dedicated to Pacho himself and which is part of the project of shared commissions for new trumpet concerts that Pacho is promoting.
Arturo Sandoval. Foto: Ocesa
From there on await Brazil, France, Spain and the Liverpool Philharmonic for the premiere of Salseando by Roberto Sierra; Spain, a new visit to the United States, Mexico and the San Diego Symphony for a new premiere by Paquito D’Rivera; afterwards Tokyo, again Poland to perform with the National Radio Symphony of Poland and back to the US; then the ADDA orchestra in Spain to play Un Sueño Morisco, double concert for trumpet and trombone that Christian Lindberg wrote for Pacho and Ximo Vicedo, premiered this 2019 with the RTVE Orchestra; Argentina and Chile; a return to Spain for the European premiere of Arturo Sandoval’s Concert No. 1 with the Oquesta Sinfónica de Galicia and the absolute premiere of the ConciertoMambí by Igmar Alderete with the Orchestra of Cordoba; and from there to Canada before returning to Spain again for the European premiere of Concierto venezolano by D’Rivera with the Orchestra of Valencia under Vicent Alberola. Finally, Pacho will premiere next summer in Brazil Roberto Sierra’s Salseando, with the Orquetra Simfònica do Estado de São Paulo and Giancarlo Guerrero.
