Pacho Flores, premiere of Arturo Sandoval in Buenos Aires

Pacho Flores, premiere of Arturo Sandoval in Buenos Aires

Pacho Flores will premiere Arturo Sandoval’s Concerto for Trumpet No. 1 with the Buenos Aires Philharmonic Orchestra under maestro Enrique Diemecke on July 11 at Teatro Colón. This concert has a peculiar history: Sandoval himself recorded it with the London Symphony for RCA-Victor in 1994; however, due to some problems with the location of the materials, he never performed it live. Years later, after meeting Pacho Flores and recovering some fragments of notes and other various materials, he decided to give them to Pacho so that he could revise them —practically reconstruct the concert— and premiere it. This gesture shows the excellence of a living legend of the trumpet by ackknowledge the talent of a young artist, thus recalling the great Dizzi Gillespie when he gave young Sandoval a trumpet with the inscription “To my son”. Arturo Sandoval is also the author of a second concert for trumpet and orchestra that he and Rubén Simeó, another great Spanish trumpet player, usually perform around the world.

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This Concerto No. 1 by Arturo Sandoval that Pacho now adds to his repertoire enlarges the impressive list of new concerts that Pacho himself is promoting through his project of shared commissions for trumpet concerts, which is causing the greatest increase of the soloist repertoire for this instrument in all its history. Composers such as Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Christian Lindberg, Daniel Freiberg and Efraín Oscher participate in this project, and others like Giancarlo Castro, Alain Trudel and Igmar Alderete are also composing new concerts dedicated to Pacho Flores.

Pacho Flores perfil color recortada

After this, the European premiere of Arturo Márquez’s Concierto de Otoño will take place on August 14 at Teatro Campoamor in Oviedo, with the Oviedo Filarmonía and Lucas Macías. This will be the fourth and last premiere after Mexico, USA and Japan with the National Symphonic Orchestra of Mexico under Carlos Miguel Prieto, Tucson Symphony Orchestra under José Luis Gómez, and Hyogo PAC Orchestra led by Michiyoshi Inoue, the four orchestras that commissioned this work. Only two weeks later, on September 1, will follow the premiere in Mexico of Paquito D’Rivera’s Concierto Venezolano by the Orquesta de Minería, again under Carlos Miguel Prieto, who has a great presence in this project by also scheduling Márquez’s Concierto de Otoño at the Opening Gala of the Louisiana Philharmonic Orchestra, of which he is principal conductor. D’Rivera’s Concierto Venezolano already has a second scheduled premiere with the San Diego Symphony under Rafael Payare in March 2020. For his part, Manuel Hernández-Silva will conduct the premiere of the new trumpet concert by Efraín Oscher next November with the Real Filharmonía de Galicia, and we will not have to wait long for the premiere of Roberto Sierra’s Salseando by the Royal Liverpool Philharmonic and Domingo Hindoyan in January 2020.

 

 

 

Pacho Flores with the Colorado Springs Philharmonic

Pacho Flores with the Colorado Springs Philharmonic

Pacho Flores will make his debut with the Colorado Springs Philharmonic in two concerts with its principal conductor, Spanish Josep Caballé-Doménech. The concerts will take place on November 16 and 17 at the Pikes Peak Center with a program entitled “Free Spirit”, consisting of works by Gershwin and Ginastera, Concierto de Otoño by Arturo Márquez, the Aria de the Bachiana No. 5 by Villalobos, Morocota, a Venezuelan waltz by Pacho Flores himself, and Invierno, from the Cuatro Estaciones Porteñas by Astor Piazzolla.

Colorado Springs is already Pacho’s third visit to the US so far since the beginning of this intense season, which started with the premiere in Mexico of Concierto Venezolano by Paquito D’Rivera, with the Orquesta de Minería and Carlos Miguel Prieto, a historic evening during which Pacho played four trumpet concerts in the same program: Márquez’s Concierto de Otoño, which had been premiered a year earlier in the same country and with the same conductor but with the National Orchestra; the afore mentioned concert by D’Rivera; Crónicas Latinoamericanas by Daniel Freiberg; and Efraín Oscher’s Concierto Mestizo, a preamble of the album recorded with this same repertoire the following week.

Pacho Flores Colorado Springs Philharmonic

Arturo Márquez, Paquito D’Rivera, Roberto Sierra, Christian Lindberg, Efraín Oscher and Daniel Freiberg

Pacho traveled afterwards to New Orleans to play with the Louisiana Philharmonic before visiting Poland to perform with the Beethoven Academy Orchestra, then to Switzerland to play with the Strasbourg Philharmonique and Kirill Karabits at the KKL in Lucerne, and then returned to the US to participate in the Latin American Festival of Fort Worth, Texas. After some master classes in Zurich, Pacho will travel to Bogota to perform with the Philharmonic Orchestra led by his friend, maestro Christian Vásquez, and from there he will head to Colorado Springs.

Pacho Flores, Colorado Springs Philharmonic

Pacho Flores and Paquito D’Rivera recording D’Rivera’s Concerto Venezolano

Pacho will after this return to the Royal Galician Philharmonia with Manuel Hernández-Silva for a double event, in which he will present Cantos y Revueltas, his fourth album for Deutsche Grammophon recorded live with this same orchestra and conductor, and also premiere Danzas Latinas, Efraín Oscher’s new concert dedicated to Pacho himself and which is part of the project of shared commissions for new trumpet concerts that Pacho is promoting.

Pacho Flores, Colorado Springs Phhilharmonic

Arturo Sandoval. Foto: Ocesa

From there on await Brazil, France, Spain and the Liverpool Philharmonic for the premiere of Salseando by Roberto Sierra; Spain, a new visit to the United States, Mexico and the San Diego Symphony for a new premiere by Paquito D’Rivera; afterwards Tokyo, again Poland to perform with the National Radio Symphony of Poland and back to the US; then the ADDA orchestra in Spain to play Un Sueño Morisco, double concert for trumpet and trombone that Christian Lindberg wrote for Pacho and Ximo Vicedo, premiered this 2019 with the RTVE Orchestra; Argentina and Chile; a return to Spain for the European premiere of Arturo Sandoval’s Concert No. 1 with the Oquesta Sinfónica de Galicia and the absolute premiere of the Concierto Mambí by Igmar Alderete with the Orchestra of Cordoba; and from there to Canada before returning to Spain again for the European premiere of Concierto venezolano by D’Rivera with the Orchestra of Valencia under Vicent Alberola. Finally, Pacho will premiere next summer in Brazil Roberto Sierra’s Salseando, with the Orquetra Simfònica do Estado de São Paulo and Giancarlo Guerrero.

 

 

 

 

Pacho Flores with the Colorado Springs Philharmonic

Pacho Flores, American premiere of ‘Cantos y Revueltas’

The American premiere of Pacho Flores’ work Cantos y Revueltas. Fantasia Concertante for trumpets, Venezuelan cuatro and strings with the Bolívar Phil and cuatro player Héctor Molina under maestro Carlos Riazuelo will take place next June 30 at 11:00 am at the Herbert and Nicole Wertheim Performing Arts Center in Miami. Cantos y Revueltas was premiered on January 11, 2018 at the Auditorio de Galicia in Santiago de Compostela with the Royal Philharmonic of Galicia and two other Venezuelans —conductor Manuel Hernández-Silva and cuatro player Leo Rondón—, to great success from both audience and critics. This premiere was recorded in audio and video and will be the central piece of the next album by Pacho Flores, a double CD/DVD for Deutsche Grammophon that will be coming soon. However, this isn’t Pacho’s first composition, since other works such as Morocota or Labios Vermelhos were already part of his album ENTROPÍA.

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Image of the premiere of Cantos y Revueltas, Flores, Rondón, Hernández-Silva and the RFG. Copyright: RFG

Pacho Flores is playing this week with the Philharmonic Orchestra of Gran Canaria, a program that includes Akban Bunka by Christian Lindberg —appearing in FRACTALES, his last album for DG so far— and Concierto Mestizo by Efraín Oscher. He will perform the same repertoire the following week at the 11º Conference of the Brazilian Association of Trumpeters in Campinas.

Flores will then return to Europe to perform Haydn’s Trumpet Concerto and Lindberg’s Akban Bunka with the Sinfonieorchester Basel led by Michal Nesterowicz. After this American premiere in Florida, Cantos y Revueltas will then head for the Southern Cone for another historical premiere in Argentina: the performance by the Buenos Aires Philharmonic Orchestra under Enrique Diemecke of Arturo Sandoval’s Trumpet Concerto No. 1 for the first time since its composition 25 years ago. It will take place on July 11 at Teatro Colón.

 

 

 

 

Pacho Flores, Japanese premiere of Marquez’s Trumpet Concerto

Pacho Flores, Japanese premiere of Marquez’s Trumpet Concerto

Pacho Flores faces the Asian premiere of Arturo Márquez’s Concierto de otoño with the Hyogo PAC Orchestra of Japan under Michiyoshi Inoue, that will take place on 24, 25 and 26 May. The concert was previously premiered by the National Orchestra of Mexico under Carlos Miguel Prieto (watch video) and the Tucson Symphony Orchestra under José Luis Gómez, with extraordinary success. The European premiere by the Oviedo Filarmonía and its new principal conductor Lucas Macías will close the round of premieres on 14 August. This concert has attracted the interest of many orchestras and has already been scheduled for the 19/20 and 20/21 seasons in the United States, Colombia, Spain, France, England, Canada and Australia, adding up to 30 performances only in its first three years. Some of them are the Opening Night Gala of the Louisiana Philharmonic Orchestra, with C. M. Prieto; Filarmónica de Bogotá (Colombian premiere), Christian Vásquez; Colorado Springs Philharmonic, Josep Caballé Doménech; Real Filharmonía de Galicia, with Manuel Hernández-Silva, together with the absolute premiere of Efraín Oscher’s new Trumpet concerto; Orchestre National de Lille (French premiere), Josep Vicent; Winnipeg Symphony (Canadian premiere), José Luis Gómez; Liverpool Philharmonic (UK premiere), Domingo Hindoyan, together with the Concierto Salseando by Roberto Sierra, UK premiere as well; Orquesta de Córdoba, Carlos Domínguez-Nieto, together with the absolute premiere of Concierto Mambí by Igmar Alderete; and some other orchestras to be announced.

The commission is part of an ambitious Project of Shared Commissions launched by Pacho Flores himself in order to enlarge the trumpet and orchestra repertoire. It is the first of six commissions to composers Roberto Sierra, Paquito D’Rivera, Efrain Oscher, Christian Lindberg and Daniel Freiberg, involving orchestras from all around the world to premiere these works over the coming seasons. All the concerts resulting from this project will increase Pacho Flores’ discography on his label Deutsche Grammophon.

Arturo Márquez y Pacho Flores

After its premiere in Liverpool, Salseando will later be premiered in Brazil and other two countries. The Concierto Venezolano by Paquito D’Rivera will also be premiered on 2 September 2019 in Mexico (orchestra and conductor to be announced soon), and afterwards in the United States, Spain and the United Kingdom.

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In parallel, Pacho Flores continues receiving new concert dedications and performing premieres. Only during the last year, Pacho has premiered his own work, Cantos y revueltas (January 2018, Real Filharmonía de Galicia, Manuel Hernández-Silva); the concert Stunning Trumpet by Giancarlo Castro (February 2018, Ulster Orchestra, Rafael Payare); Preach pour trompette et orchestre, by Alain Trudel (March 2018, Orchester Symphonique de Laval, Alain Trudel); Double concerto for clarinet and trumpet (August 2018, Norddeutsche Philharmonie Rostock, Markus Bosch); Latin American Chronicles by Daniel Freiberg (January 2019, Het Gelders Orkest, Christian Vásquez); and the new Double concert for trumpet and trombone by Christian Lindberg (March 2019, RTVE Orchestra, Ximo Vicedo and Christian Lindberg); and he plans to premiere the Trumpet Concerto No. 1 by Arturo Sandoval (July 2019, Buenos Aires Philharmonic Orchestra, Enrique Diemecke).

 

 

 

Pacho Flores with the Colorado Springs Philharmonic

Pacho Flores debuts with the Royal Liverpool Philharmonic

Pacho Flores will make his debut with the Royal Liverpool Philharmonic Orchestra on 9 March under the direction of Holly Mathieson, performing some Latin American classics such as Piazzolla, Villalobos or Paquito D’Rivera. On the following day, he will have a meeting with members of the Liverpool Philharmonic Youth Orchestra and perform as soloist in a concert led by Simon Emery; on 11 March he will take part in a workshop and concert with the Children’s Orchestra. These activities are part of In Harmony’s 10th Birthday celebrations, the RLPO social programme inspired by Venezuela’s El Sistema, where Pacho himself started. This first contact will also have its reflection in the 19/20 Season, as the RLPO is one of the orchestras engaged in the Project of Shared Commissions Pacho Flores is carrying out by commissioning a new trumpet concert to composer Roberto Sierra, together with other orchestras.

Pacho will afterwards continue with his busy schedule with the absolute premiere of Un Sueño Morisco, double concert for trumpet, trombone and orchestra by Christian Lindberg, together with trombonist Ximo Vicedo, the RTVE Orchestra and Lindberg himself as conductor; his return to the Orquesta Filarmónica de Málaga; master classes and recitals in Tampere and Helsinki, including an absolute premiere of Tuomas Turriago; the Japan premiere of Concierto de Otoño by Arturo Márquez as part of the project of shared commissions, with the Hyogo PAC Orchestra and Michiyoshi Inoue; the season closing of the Stavanger Orchestra with Christian Vásquez; Orquesta Filarmónica de Gran Canaria with Dmitri Liss; Basel Symphonieorchester with Michał Nesterowicz; absolute premiere of Concierto n.º 1 by Arturo Sandoval with the orchestra of Teatro Colón and Enrique Diemecke; and the European premiere of Concierto de Otoño by Arturo Márquez with the Oviedo Filharmonía and Lucas Macías, which closes the series of commissioned premieres.