Perry So opens his third season as musical and artistic director of the Orquesta Sinfónica de Navarra with a programme that includes Tchaikovsky’s Piano Concerto No. 2 in G major, op. 44, with Elisabeth Leonskaja as the soloist, and a selection from Beethoven’s The Creatures of Prometheus, op. 43. The concerts will take place on the 10th and 11th of October in Pamplona and Tudela. Just a few days ago, on 22nd September, Perry So inaugurated his first season as Music Director of the New Haven Symphony Orchestra with Beethoven’s 9th Symphony and Gathering Son, a short work for baritone and orchestra by Courtney Brian.
Perry So was born in Hong Kong in 1982, where he received his early training in piano, organ, violin, viola and composition. He graduated from Yale University with a degree in literature, specialising in Central European music and modernist literature, during which time he founded an academic orchestra and conducted the university’s opera company. He studied conducting at the Peabody Institute in Baltimore, first with James Sinclair and later with Gustav Meier. In 2008 he won first prize and a special prize at the 5th International Prokofiev Conducting Competition in St Petersburg. Following this recognition, he was appointed Assistant Conductor and then Associate Conductor of the Hong Kong Philharmonic, Gustavo Dudamel Conducting Fellow of the Los Angeles Philharmonic, Artistic Collaborator of the Principality of Asturias Symphony Orchestra and Member of the Conducting Department of the Manhattan School of Music.
In recent seasons Perry So made his subscription series debut with the San Francisco Symphony and his European operatic debut at the Royal Danish Opera in Mozart’s Die Zauberflöte. Other highlights include a tour to Milan with the Nuremberg Symphony and a seven-week tour of South Africa with three orchestras including Verdi’s Requiem in Cape Town. He has appeared with the Cleveland and Minnesota Orchestras, the symphony orchestras of Israel, New Zealand, Shanghai, Houston, Detroit, New Jersey, Tucson, Tenerife and Málaga; the London, China, Seoul and Szezcin Philharmonics; the Residentie Orkest in the Hague and the Staatsorchester Rheinische Philharmonie in Koblenz, among others. He toured the Balkan Peninsula at the helm of the Zagreb Philharmonic in the first series of cultural exchanges established after the breakup of Yugoslavia.
His work in the recording studio encompasses a broad sampling of twentieth century British, French and Russian music with the BBC National Orchestra of Wales and the BBC Concert Orchestra, and his album of Barber and Korngold’s violin concertos with soloist Alexander Gilman and the Cape Town Philharmonic Orchestra was awarded the Diapason d’Or in 2012. His wide-ranging musical interests encompass world premieres on four continents as well as championing the reintroduction of the Renaissance and Baroque repertory into symphonic programs. His work with young musicians has taken him to the Round Top Festival, where he serves on the board of trustees, the Australian Youth Orchestra, the National Youth Orchestra of Canada, the Manhattan School of Music, the Hong Kong Academy for the Performing Arts and the Yale School of Music.
Abraham Cupeiro is touring the UK as a soloist with orchestras including the Welsh National Opera Orchestra, City of Birmingham Symphony, Royal Northern Sinfonia, Manchester Camerata, Royal Scottish National Orchestra and the London Symphony, conducted by Anthony Gabriele. From Esk Film, in association with Netflix and Silverback Films, comes a new immersive natural history concert experience: Life on Our Planet in Concert, by composer Lorne Balfe, featuring highlights from the entire series alongside an incredible live soundtrack.
Life on Our Planet is a ground-breaking new 8-part series created by Silverback Films in association with Steven Spielberg’s Amblin Television. Narrated by Academy Award®-winner Morgan Freeman, it’s the story of life’s epic battle to conquer and survive on planet Earth. Touring six major UK cities during October 2024, the power, drama and excitement of the series will soon be experienced on the big screen alongside a sweeping soundtrack composed by Lorne Balfe, performed by some of the UK’s finest and most renowned orchestras. The concerts will take place on the 2nd in Bristol, 4th in Birmingham, 6th in Newcastle, 8th in Manchester, 10th in Glasgow and 17th in London.
A builder and multi-instrumentalist, Abraham Cupeiro’s work is characterised by the recovery of instruments lost in time, using them to create new sonorities and integrate them into music that is alien to them. He studied trumpet at the RCSMM and later obtained a Master’s degree in Early Music Performance from the Autonomous University of Barcelona. Although classically trained, he has always been attracted to all kinds of music. From a young age he has been a member of folk, jazz and early music groups.
As an instrumentalist, Abraham stands out as one of the few people to play the Karnyx (Celtic war trumpet from the Iron Age). He has recently been invited to try out the Tintignac Karnyx, the only one to have appeared in its entirety in 2004. He has rescued from oblivion instruments rooted in classical culture, such as the Greek aulos and the Roman cornu. He is also the promoter of an ancestral instrument of Galician tradition: the corna. This instrument was played by his grandfather and appears in the illuminations of Alfonso X. His interest in organology has led him to build up a collection of more than 200 instruments from all over the world and from different periods. It is a collection that he teaches in the form of a concert monologue called Resonando en el Pasado (Resonating in the Past). Abraham recovers and builds different instruments and uses them to play from his own music to contemporary music, mixing them with modern formations.
These blends can be seen in his work Compromiscuo with the Belarusian accordionist Vadzim Yukhnevich, as well as in works written especially for him, such as Vladimir Rosinsky’s Concierto Misterio with the Orquesta Sinfónica de Galicia. Other composers who have written for Abraham include Bernd Redman, Enrique Rueda and Mark Pogolski. Os Sons Esquecidos (The Forgotten Sounds) is a project recorded with the Filharmonía de Galicia for Warner Classics. After its premiere, it was performed with different orchestras in Spain, Europe and America.
In 2018 Abraham premieres a new project: PANGEA, recorded with the Royal Philharmonic Orchestra of London at Abbey Road Studios in November 2019 and released in September 2020 on the Warner Classics label. Among the orchestras with which he has performed are the Sinfónica de Galicia, the Real Filharmonía de Galicia, the Royal Philharmonic, the Mahler Chamber Orchestra, the Filarmónica de Gran Canaria, the Orquesta Sinfónica de Bilbao, the Orchestre National de Bretagne, the Kymi Sinfonietta and the Vaasa City Orchestra. In 2024 he began recording a new project, MYTHOS, again with the RPO, which was premiered in Spain with the Oviedo Filarmonia.
He was called by the violinist Patricia Kopatchinskaja for the project Les Adieux, among others at La Philharmonie in Berlin and the Laeiszhalle in Hamburg. He composed the soundtrack for the film Maria Solinha and has worked with Oscar-winning composer Hans Zimmer’s 14th Street company. He regularly participates in Adolfo Domínguez’s fashion shows with live performances. He also works for the science outreach project Neuston 3, which aims to raise awareness of the importance of the ocean in our lives. He has been commissioned to compose and record for TV and film shows including Netflix’s Life on our Planet, Prime Video’s The Wheel of Time and Ridley Scott’s Gladiator II.
Perry So opens his first season as music director of the New Haven Symphony Orchestra on Sunday 22 September with Beethoven’s 9th Symphony. The concert will take place in Woolsey Hall and will feature Lisa Williamson (soprano), Annie Rosen (alto), Chad Kranak (tenor) and Eric Greene (baritone) as soloists, with a chorus from three local choral groups, the Heritage Chorale of New Haven, the New Haven Chorale and the Yale Glee Club. The programme will conclude with Gathering Son, a short work for baritone and orchestra by Courtney Brian with lyrics by Tazeweel Thompson, which Greene himself will perform as soloist.
He was introduced as the NHSO‘s new principal conductor on Saturday 15 June at the ensemble’s annual collaboration with the International Festival of Arts & Ideas, ARTIDEA, which took place on the outdoor stage of the New Haven Green. Perry will combine this new responsibility with his position as Music and Artistic Director of the Orquesta Sinfónica de Navarra, which he has held since the 2022/23 season. His contract in Navarra runs until the end of the 2024/25 season, although it was recently announced that he will be reappointed for a further three years until the end of the 2027/28 season.
The New Haven Symphony Orchestra is the fourth oldest orchestra in the United States, and its performances and accessible education programmes reach more than 40,000 regular audiences and 20,000 students each year. Innovative programming and a commitment to commissioning new works inspire greater audience participation and meaningful artistic and educational collaborations. Through the nationally acclaimed Harmony Fellowship programme and numerous award-winning education and community engagement programmes, the Symphony strives to be a leader in racial equity in the arts.
Perry So was born in Hong Kong in 1982, where he received early musical training in piano, organ, violin, viola and composition. He later received a BA in Comparative Literature from Yale University, specialising in 20th century Central European music and literature. During this time, he founded an academic orchestra and conducted lyric productions with graduate students. In 2008, he studied conducting at the Peabody Institute in Baltimore under Maestro Gustav Meier and won First Prize and Special Prize at the 5th St. Petersburg International Prokofiev Conducting Competition. Following this accolade, he was appointed Assistant Conductor and then Associate Conductor of the Hong Kong Philharmonic and later became part of the Los Angeles Philharmonic’s Dudamel Fellowship Programme, and has since conducted some of the most important American, European and Asian orchestras, as well as being Artistic Collaborator of the Orquesta Sinfónica del Principado de Asturias in Spain and of the Conducting Faculty of the Manhattan School of Music in New York.
Perry So formally begins his new responsibility as Music Director of the New Haven Symphony Orchestra this coming July 1, for an initial period of three seasons until June 30, 2027. His presentation as the new Music Director of the NHSO took place last Saturday, June 15, within the orchestra’s annual collaboration with the International Festival of Arts & Ideas, ARTIDEA, which was held on the open-air stage of the New Haven Green. Perry will combine this new responsibility with his position as Music and Artistic Director of the Navarra Symphony Orchestra, which he has been holding since the 2022/23 season. With a contract in force until the end of the 2024/25 season, the orchestra recently announced its renewal after August 2025..
The New Haven Symphony Orchestra is the fourth oldest orchestra in the United States, its performances and accessible educational programs reach more than 40,000 regular audiences and 20,000 students each year. Innovative programming and dedication to promoting new work commissions inspire more engaged audience participation and meaningful artistic and educational collaborations. Through the nationally acclaimed Harmony Fellowship program, as well as numerous award-winning educational and community engagement programs, the Symphony strives to be a leader in racial equity in the arts.
Perry So was born in Hong Kong in 1982, where he received early musical training in piano, organ, violin, viola and composition. He later graduated in Comparative Literature from Yale University with a specialization in 20th-century Central European music and literature. He served as Associate Conductor of the Hong Kong Philharmonic, Conducting Fellow of the Los Angeles Philharmonic, Artistic Collaborator of the Orquesta Sinfónica del Principado de Asturias in Spain, and on the conducting faculty of the Manhattan School of Music. As a student at Yale University he founded an orchestra and led the undergraduate opera company. He received his training as a conductor initially under James Sinclair and subsequently with Gustav Meier at the Peabody Institute in Baltimore and received First and Special Prizes at the International Prokofiev Conducting Competition in St Petersburg, Russia.
Christian Vásquez begins a tour to China with the Juan José Landaeta Symphony Orchestra of Venezuela, of which he has been Music Director since 2010, when its official name was still Teresa Carreño Youth Symphony Orchestra. Christian was also recently appointed Associate Director of the Simón Bolívar Symphony Orchestra, an appointment that sanctions his long and close relationship with the orchestra in particular, and with the Children’s and Youth Orchestra System in general, within which he was trained and of which he never really left, as he was also named musical director of the José Félix Ribas Youth Symphony in 2006, still during his student days. He recently led the Simón Bolívar Symphony Orchestra on another China tour. In the meantime, Christian also became Music Director of the Stavanger Symphony Orchestra at the beginning of the 2013/14 season, a position he held until 2019, and was Principal Guest Conductor of the Gävle Orchestra in Sweden and Arnhem Orchestra in The Netherlands.
An extract from the El Sistema press release: “The Juan José Landaeta Symphony Orchestra (OSJJL) will thus undertake its first international tour. During its stay in the Chinese capital, the group will offer three concerts in addition to participating in the creation of a binational orchestra together with local musicians, in a meeting that aims to be a bridge between the two cultures through the universal language of music. This tour is part of the celebration of 50 years of diplomatic relations between Venezuela and the Republic of China. The OSJJL was created in 2018 at the initiative of Eduardo Méndez, executive director of El Sistema, as a tribute to the first orchestra founded by Maestro José Antonio Abreu in 1975. The current group debuted in the preamble to the celebration of the 43rd anniversary of El Sistema. This group has reached a solid musical level thanks to its associate conductors Christian Vásquez and Jesús Uzcátegui together with the meticulous work of an outstanding group of Venezuelan conductors, among whom are Enluis Montes Olivar, Rodolfo Saglimbeni, Joshua Dos Santos and Pablo Castellanos, who have contributed with their talent and experience to the training of this exceptional group, which in turn has become an important source of opportunities for young Venezuelan soloists”.
The great debut of the Juan José Landaeta Symphony Orchestra in Asia will be led by the Chinese National Orchestra in a binational concert – on Monday, June 17 – that will be conducted by Christian Vásquez and Liu Zheng. The imposing Beijing Concert Hall theater will be the stage for a repertoire that combines masterpieces from China and Venezuela and celebrates the richness and diversity of music worldwide. The Spring Festival Overture by Li Huanzhi; Dance of Yao People by Liu Tieshan and Mao Yuan; Dance of Golden Snake by Er Nie; and Jasmine Flowers, one of the best-known Chinese compositions in the world, are the Chinese works that will be performed. On the other hand, Margariteña by Inocente Carreño, Santa Cruz de Pacairigua by Evencio Castellanos, Venezuela by Pablo Herrero and José Luis Armenteros, and Alma Llanera by Rafael Bolívar Coronado and Pedro Elías Gutiérrez, will put the Venezuelan flavor in Beijing. Additionally, the group will perform Sensemayá, by the Mexican composer Silvestre Revueltas.
On Tuesday, June 18, the OSJJL will return to the Beijing Concert Hall under the baton of maestro Christian Vásquez. In this concert, the Venezuelan orchestra will take the public on a vibrant journey, with Revueltas’ The Night of the Mayans, -a colorful work that immerses the public in a magical and ritualistic universe- and Hector Berlioz’s Symphonie Fantastique, a composition that evokes a whirlwind of passions, dreams and fantasies. Finally, on Thursday, June 20, they will visit the Beijing Science and Culture Youth Center of the Song Ching Ling Foundation. The concert will be divided into two parts. The works by Carreño, Revueltas and Castellanos, together with the last movement of Tchaikovsky’s Symphony No. 4, will be performed in the first part, which will be conducted by Maestro Zheng. Next, the Spring Festival Overture by Li Huanzhi and Swan Lake by Tchaikovsky will be conducted by Christian. Jupiter, from Gustav Holst’s The Planets, and the fourth movement of Antonín Dvořák’s Symphony No. 9, both conducted by Zheng, will also be performed.
Perry So, who begins his tenure as Musical Director of the New Haven Symphony Orchestra on July 1, will now lead the orchestra this coming Saturday, June 15 at 8:00 p.m. in the formation’s annual collaboration with the International Festival of Arts & Ideas, ARTIDEA, which will take place on the open-air stage of the New Haven Green. The festive program involves a diverse roster of collaborators including Hillhouse Marching Band, NHSO concertmaster David Southorn, Hanan Hameen and the Juneteenth Coalition, vocalist Carly Callahan, St. Lukes Steel Band, erhu (the traditional Chinese violin) soloist Joy Lu, or the Spanish Community of Wallingford Mariachi Band and Dancers. Perry So has just launched the 2024/25 season of the Navarra Symphony, his third at the helm of the formation, while announcing his renewal as chief and artistic director starting in August 2025.
The fourth-oldest orchestra in America, the New Haven Symphony Orchestra’s exceptional and accessible performances and education programs reach more than 40,000 audience members and 20,000 students each year. Innovative programming and a dedication to the commission of new works inspires deeper audience engagement and meaningful artistic and educational collaborations. Through the nationally-acclaimed Harmony Fellowship program, as well as numerous award-winning education and community engagement programs, the Symphony strives to be a leader for racial equity in the arts.
Perry So was born in Hong Kong in 1982, where he received early musical training in piano, organ, violin, viola and composition. He later graduated in Comparative Literature from Yale University with a specialization in 20th-century Central European music and literature. During that period he founded an academic orchestra and conducted lyrical productions with graduating students. In 2008 he studied conducting at the Peabody Institute in Baltimore under the tutelage of Maestro Gustav Meier, receiving First Prize and Special Prize at the 5th Edition of the Prokofiev International Conducting Competition in St. Petersburg. After this recognition he was named Assistant Conductor and then Associate Conductor of the Hong Kong Philharmonic, and later he was part of the Dudamel fellowship program of the Los Angeles Philharmonic and since then he has conducted some of the most important American, European and Asian orchestras. Since the 2022/23 season he has been Music and Artistic Director of the Navarra Symphony and since next June he is the new Music Director of the New Haven Symphony Orchestra.
Christian Vásquez and Juan Ferrer meet again, this time with the Symphony of the Region of Murcia, to close the premiere cycle of Áurea, Rhapsody for clarinet and orchestra by Pacho Flores, commissioned by the Symphony of Galicia and the Orchestra of Extremadura next to the Murcian orchestra. After the premieres with the Galician Symphony also under Vásquez’s conducting on April 18 and 19, and in Extremadura, where the baton was led by Andrés Salado, Vásquez takes the baton again for this closing on May 31 at the Víctor Villegas Auditorium in Murcia and June 1 at the El Batel Auditorium in Cartagena. This concert is already scheduled to premiere in Germany next season with the Wuppertal Sinfonieorchester, once again led by Christian Vásquez, on April 6 and 7, 2025. The soloist, naturally, is always Juan Ferrer, to whom it is dedicated the concerto.
Christian Vásquez was chief conductor of the Stavanger Symphony Orchestra between 2013 and 2019, and principal guest conductor of the Gävle Symphony Orchestra between 2010 and 2013 and of the Het Gelders Orkest from 2015 to 2020. He is currently associate conductor of the Simón Bolívar Symphony Orchestra and conductor musical of the Juan Jose Landaeta Orchestra, belonging to the SISTEMA of Venezuela. Vásquez has worked with orchestras such as the Philharmonia Orchestra, Residentie Orkest, Orchester de la Suisse Romande, Vienna Radio Symphony, Salzburg Camerata, Russian State Symphony, Orchester National du Capitole de Toulouse, Galician Symphony, Berlin Konzerthausorchester, Sinfónica Prague Radio, Warsaw Beethoven Festival, Poznan, Rotterdam, Helsinki, Turku and Munich Philharmonic Orchestras, Basel Symphony, Estonian National Orchestra, Royal Danish Orchestra, Norwegian Radio Orchestra, RTE National Orchestra Ireland, Tokyo Philharmonic or Singapore Symphony. In North America he has conducted the National Symphony Orchestra of Mexico, National Arts Center Orchestra (Ottawa) and the Los Angeles Philharmonic, during his participation in their Young Artist Fellowship program.
Juan Ferrer has been a guest of the Leipzig Radio Orchestra, the Liceu Orchestra of Barcelona, the Palau de les Arts of Valencia, the National Orchestra of Catalonia or the RTVE Orchestra among many others and has worked under the orders of some of the most prestigious batons: Gustavo Dudamel, Lorin Maazel, Daniel Harding, Sir Neville Marriner, Osmo Vänska, Guennadi Rozdestvenski, Peter Maag, James Conlon, Jesús López Cobos, Stanislaw Scrowaczewski, Dima Slobodeniouk, Gianandrea Noseda, Christoph Eschenbach, Juanjo Mena or Alberto Zedda among many others. Juan Ferrer is a Professor at the Alfonso He teaches courses in Spain, France, China, Taiwan, Italy, Portugal, Argentina, Brazil, Colombia, Paraguay, Venezuela, Costa Rica, Belgium, Russia, Argentina, in addition to participating in various editions of the Ibero-American Clarinet Academy in Castelo de Paiva ( Portugal). He has recorded an album with the pianist Daniel Del Pino with works dedicated to him by internationally renowned authors: Salvador Brotóns, Fernado Buide, Eduardo Soutullo, Karolis Biveinis, Octavio Vázquez, Wladimir Rosinskij and Juan Durán.
Christian Vásquez and Leo Rondón meet with the Tenerife Symphony to offer the Concerto del Mar for Venezuelan Cuatro and orchestra, it will be next Friday, May 24 at the Adán Martín Auditorium in Tenerife. This concert had a pre-premiere with an instrumental ensemble formed by musicians from the Symphony Orchestra of the Region of Murcia in April 2022 and had its absolute premiere in its final version in May 2023 with the National Symphony Orchestra of Colombia under the direction by Hernández-Silva, so this performance in Tenerife is his true premiere in Spain. Next season, programming is already planned for the seasons of a Spanish and a Polish orchestra, which will be announced in due course. In addition, Vásquez will conduct the Tenerife Symphony with Antrópolis by Gabriela Ortiz, Santa Cruz de Pacairigua, by Evencio Castellanos, and Estancia: Cuatro danzas, op. 8a by Alberto Ginastera.
In this work by Rondón, canonically organized in three movements; Parranda velera, Punto de Cruces and Estribillo de los Pescadores, highlight some of the most popular rhythms of Venezuela, such as the merengue, the parranda, the waltz and the joropo with an oriental chorus, where the four is exploited from its initial conception as a rhythmic accompaniment. to the enormous palette of possibilities that an entire generation of virtuoso Cuatro players have been able to incorporate into the instrument in recent years, integrating it into the symphonic repertoire thanks to contributions from composers such as Gonzalo Grau, Orlando Cardozo, Leonardo Lozano, Juan Carlos Sanz, etc.
After the premiere of his Concerto del Mar, Rondón is already finishing the composition of a new concerto for Cuatro and orchestra titled Concerto del Llano, which will be the second of a trilogy. He will also continue his work in the artistic organization of the PAAX GNP Festival, chaired by the Mexican conductor Alondra de la Parra and which will take place again in June 2024 in the Riviera Maya of Mexico. He continues working with the maestro Alexis Cárdenas and his quartet, and with a duo with the French pianist Thomas Enhco, with whom he published an album with the Chilean tenor Emiliano González Toro, in tribute to the singer Violeta Parra. Known as Leo Rondón, Leonidas Rondón (Guama, Yaracuy, 1984), who was a prominent participant with a podium at the La Siembra del Cuatro Festival in Venezuela, has collaborated with the Quatuor Debussy, L’Arpeggiata by Christina Pluhar and the Mexican tenor Rolando Villazón. Also with orchestras such as the Arctic Philharmonic of Norway, Royal Philharmonic of Galicia, Royal Liverpool Philharmonic, Orchester National de l’Ile de France, Symphony of the Region of Murcia, Orchestra of Valencia, Symphony of Castilla y León, Orchestra of Extremadura, Symphony of Navarra, Tunisia Symphony Orchestra or Malaga Philharmonic. For years he organized, together with maestro Cristóbal Soto, the Venezuelan Creole Music Summer Course, a Venezuelan music teaching camp in the city of Mirecourt, France. He is currently carrying out his solo project, Leo Rondón Project.
Marina Heredia returns to the Galician Symphony for a two-week stay in which she will present a double program: On May 16 and 17 she will sing El Amor Brujo by Manuel de Falla in the auditoriums of Ferrol and Pontevedra, and the following week, on the 24th and 25th, already at the Palacio de la Ópera de Coruña, she will star in the Spanish premiere of En LIbertad! El camino de los gitanos (In Freedom! The journey of the Gipsies), a work composed together by José Quevedo ‘Bolita’ and Joan Albert Amargós, in which she shares solo roles with Quevedo himself on flamenco guitar and Paquito González on percussion. Both programs will be conducted by maestro Jose Trigueros, who also conducted she on two other previous visits to the Galician Symphony in which the Canciones Españolas Antiguas, compiled and harmonized by Federico García Lorca and orchestrated by Trigueros himself, were performed. In freedom! is the result of a commission from the Duisburger Philharmoniker, with which it was premiered in July 2023.
Marina Heredia is definitely the most demanded singer internationally for this repertoire, only in the last two seasons she could be seen at the Konzerthaus and the Philharmonie of Berlin together with the Berlin Radio Symphony and Pablo Heras-Casado; the Pierre Boulez Saal in Berlin for a project with mandolinist Avi Avital, in the Laieszhalle of the Elbphilharmonie in Hamburg for the Martha Argerich Festival, or the Lausitz Festival in Görlitz.
Marina has sung with orchestras such as the Chicago Symphony, San Francisco Symphony, Orchester National de Lille, Orquestra Sinfônica da Casa da Música de Porto, the Rouen Opera or the Mahler Chamber Orchestra, with which he recorded El Amor Brujo under the direction of Pablo Heras-Casado or the production of La Fura del Baus for the Granada Festival under the baton of Manuel Hernández-Silva as well as with the Navarra Symphony under the baton of Perry So, RTVE under the direction, again, of Hernández-Silva, the Symphony of the Region of Murcia with Roberto Forés or the North Macedonia Philharmonic with Christian Vásquez
Christian Vásquez comes to Oviedo to replace maestro Alondra de la Parra, who has had to cancel for health reasons, at the head of the Oviedo Filarmonía, for a program that includes songs by Haydn, Mozart and Verdi, with Rolando Villazón as soloist, Danzón No. 2 by Arturo Márquez and Symphony No. 8 in G major, op.88, by Dvořák. The concert will take place next Thursday, May 9 at the Príncipe Felipe Auditorium in Oviedo. This unforeseen substitution precedes his visit to the Tenerife Symphony the following week, with which he will conduct the Concerto el Mar, for Venezuelan Cuatro and orchestra, along with works by Gabriela Ortiz, Evencio Castellanos and Alberto Ginastera.
Christian Vásquez is one of the most prolific Venezuelan musical talents of recent years. Recognized for his charismatic stage presence, powerful performances, and musical integrity, Vásquez continues to attract international attention as one of today’s leading conductors. Christian was born in Caracas in 1984. He began his music studies as a violinist and member of the renowned musical education program ‘El Sistema’. In 2006 he began his studies in orchestral conducting under the tutelage of maestro José Antonio Abreu, and that same year he was named Music Director of the José Félix Ribas Youth Symphony, in the state of Aragua. He was a Dudamel scholarship recipient during the 2009/10 season.
Following his debut with the Gävle Symphony Orchestra in October 2009, one of his first appearances in Europe, Christian Vásquez was appointed its Principal Guest Conductor, a position he held between 2010 and 2013. In 2010 he was also named Music Director of the Symphony Orchestra Teresa Carreño from Venezuela, and has continued to lead it since 2017, when it changed its name to Orquesta Juan Jose Landaeta. With this formation, which continues to be the most important youth orchestra in Venezuela, they have made many interesting international tours that have taken them to stages in London, Berlin, Lisbon, Hamburg, Milan, Toulouse, Vienna, Amsterdam, Salzburg, Munich, Stockholm, Istanbul, Tokyo, Beijing and Shanghai.
Christian Vásquez became Chief Conductor of the Stavanger Symphony Orchestra at the beginning of the 2013/14 season, inaugurating an initial four-year mandate that would be extended for a further two years until 2019, following a successful relationship with the orchestra. He began his tenure with a performance of Mahler’s Symphony No. 2 in the orchestra’s new hall in August 2013. He led the orchestra on several tours through Scandinavia, Russia, Germany and the Netherlands, presenting ambitious programs and receiving critical acclaim. favorable. In the 2015/16 season he became Principal Guest Conductor of the Het Gelders Orkest (Arnhem Symphony Orchestra), beginning his tenure with a tour of the Netherlands with an exclusively Latin program. In the spring of 2015, Christian achieved further success by directing four performances of Bizet’s Carmen at the Norwegian Opera.
In addition to his many responsibilities with the Gävle Symphony Orchestra and his regular engagements in Stavanger and Arnhem, Christian Vásquez has worked with the Gewandhausorchester Leipzig, Philharmonia Orchestra, Orchester de la Suisse Romande, Vienna Radio Symphony Orchestra, Vienna Philharmonic Orchestra Rotterdam, Salzburg Camerata, Russian State Symphony, Tokyo Philharmonic and Singapore Symphony Orchestra. In 2010, Vásquez made his debut with the Israel Philharmonic at the invitation of music director Zubin Mehta. During the 2010/2011 season he also conducted the Vienna Radio Symphony Orchestra, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, the Orchester National du Capitole de Toulouse, the Orchester Philharmonique de Radio France and the National Orchestra of Belgium. In North America, Vásquez has conducted the National Arts Center Orchestra (Ottawa), the New Jersey Symphony, and the Los Angeles Philharmonic.
Vásquez has since again conducted the Gewandhausorchester Leipzig and the Camerata Salzburg on international tours with performances at the Grosses Festspielhaus, Wiener Konzerthaus, Alte Oper Frankfurt and the Berliner Philharmonie, as well as the Royal Northern Sinfonia, Orchester National du Capitole de Toulouse , Galician Symphony Orchestra, Berlin Konzerthausorchester, Prague Radio Symphony Orchestra, Warsaw Beethoven Festival Orchestra, Turku Philharmonic, Helsinki Philharmonic, Luxembourg Philharmonic, Prague Radio Symphony Orchestra, Mexican National Symphony, Poznan Philharmonic in Poland, Royal Danish Orchestra, Norwegian Radio Orchestra, RTE National Orchestra of Ireland, New Jersey Symphony Orchestra with Pinchas Zukerman, Estonian National Symphony Orchestra, Seoul Philharmonic, Tokyo Philharmonic Orchestra for Beethoven’s Ninth as part of the orchestra’s long December tradition, or the two editions of the Tongyeong International Music Festival in Korea to which he has been invited. From 2021 to 2023 Vásquez also assisted Gustavo Dudamel in the new production of Mozart’s The Marriage of Figaro and Wagner’s Tristan und Isolde at the Paris Opera, and made his debut with the Paris Opera Orchestra and the Ballet School of the Opera conducting four performances at the Opera Garnier.
In his commitment to education and youth, he frequently conducts youth orchestras such as the InterHarmony International Festival Youth Orchestra, the Barcelona Youth Orchestra (Spain) or the Geneva Conservatory Orchestra (Switzerland), in addition to his frequent concerts with the Juan José Landaeta and other orchestras of ‘El Sistema’. Vásquez has worked with world-class musicians such as Simon Rattle, Frank Peter Zimmermann, Pacho Flores, Truls Mork, Sol Gabetta, Sergio Tiempo, Ray Chen, Kolja Blacher, Veronika Eberle, James Ehnes, Elina Vähälä, Sergey Khachatryan, Liza Ferschtman, Arabella Steinbacher, Benjamin Schmid, Alexandra Soumm, Antoine Tamestit, Natalie Clein, Julian Steckel, Claudio Bohorquez, Narek Hakhnazaryan, Amanda Forsyth, Jamie Walton, Pei-Jee Ng, Jian Wang, Edicson Ruiz, Martin Grubinger, Kari Kriikku, Hakan Hardenberger, Tine Thing Helseth, Juan Ferrer, Reinhold Friedrich, Colin Currie, Simon Trpceski, Jonathan Biss, Kyrill Gerstein, Makoto Ozone, Håvard Gimse, Ingolf Wunder, Nicholas Hodges, Joseph Moog, Kristhyan Benitez, Kristiina Rokashevich, Bertrand Chamayou, Marianna Shirinyan, Lucas Jussen, Ole Kristian Dahl, Roland Pontinen, Igor Levit or Stefan Schulz.
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