On November 20 at the Auditorio de Galicia, Pacho Flores and Manuel Hernández-Silva will present, together with the Royal Galician Philharmonia, Cantos y Revueltas, Pacho Flores’ new album for Deutsche Grammophon with the Galician orchestra conducted by Hernández-Silva that includes, among other works and as a centerpiece, the homonymous concert for trumpet and Venezuelan cuatro by Pacho Flores himself.
Cantos y Revueltas
Cantos y Revueltas is a fantasia concertante for trumpet, Venezuelan cuatro and strings, premiered last January 2018 in Santiago, Vigo and A Coruña by the Royal Galician Philharmonia under Hernández-Silva, together with cuatro player Leo Rondón and, of course, Pacho Flores’ trumpets. It is a work rooted in old work songs and popular Venezuelan tunes, but also in modern Caribbean-like rhythms. The album begins with the Concerto para corno da caccia by Johann Baptist Georg Neruda, continues with the Aria from Bachiana Brasileira No. 5 by Villa-Lobos, Cantos y Revueltas, El Diablo suelto by Heraclio Fernández and Piazolla’s Winter in Buenos Aires, and was recorded live at the Palacio de la Ópera in A Coruña on January 13, 2018.
This is a double CD-DVD that includes a video recording of the concert and various extras, including interviews revealing the origin of Pacho’s work as well as curiosities about the process that led to its premiere in Santiago and its recording. Cantos y Revueltas is the fourth recording for Pacho Flores with Deutsche Grammophon after Cantar, with the Konzerthausorchester in Berlin conducted Christian Vásquez, Entropía, with guitar player Jesús ‘Pingüino’ González, and Fractales, with the Arctic Philharmonic conducted by Christian Lindberg. These concerts also counted on Pablo Barreiro for the audio recording and Antonio Cid and Joaquín Calderón for the video recording and production, which allowed to obtain a result that met Deutsche Grammophon’s highest artistic and technical standards.
Every so often, sometimes after several generations, some artists appear who are a milestone in their respective disciplines. This is the case with Pacho Flores, the great trumpet player of the 21st century so far, who is improving the performance technique and the expressive possibilities of the instrument to unknown levels. In collaboration with his brand, his STOMVI team, he is carrying out a formidable development and technical improvement of the trumpet, with new instruments in different keys and with four pistons that expand its register and palette. Many of these instruments are prototypes only available to Pacho, and only some, once tested, get produced for the market sale.
Pacho is also actively promoting an unprecedented expansion of the repertoire for solo trumpet and orchestra. After releasing some works dedicated to him by composers such as Efraín Oscher (Concierto Mestizo, 2010; Soledad, 2013, included in the album CANTAR; Barroqueana Venezolana nº 2, 2017; and Apex, double concert for trumpet and clarinet, 2018), Giancarlo Castro (Stunning trumpet, 2017), Alain Trudel (Preach pour trumpet et orchestre), etc., Pacho decided to take over and launch a project of shared commissions to some of the most relevant composers nowadays such as Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Efraín Oscher, Christian Lindberg or Daniel Freiberg, which allows a systematic and scheduled update of new works with technical and musical requirements according to the possibilities offered by the new instruments. This program has already begun to bear fruit: Arturo Márquez and Paquito D’Rivera’s works have already been premiered, and the concerts by Roberto Sierra and Efraín Oscher’s will be presented this season. In addition, and in collaboration with his label, Deutsche Grammophon, Pacho is producing the most complete discography on the trumpet performed by the same artist, recording reference versions of the repertoire classics, as well as the new works that, by his own efforts, are joining the literature for this instrument.