Pacho Flores will premiere Arturo Sandoval’s Concerto for Trumpet No. 1 with the Buenos Aires Philharmonic Orchestra under maestro Enrique Diemecke on July 11 at Teatro Colón. This concert has a peculiar history: Sandoval himself recorded it with the London Symphony for RCA-Victor in 1994; however, due to some problems with the location of the materials, he never performed it live. Years later, after meeting Pacho Flores and recovering some fragments of notes and other various materials, he decided to give them to Pacho so that he could revise them —practically reconstruct the concert— and premiere it. This gesture shows the excellence of a living legend of the trumpet by ackknowledge the talent of a young artist, thus recalling the great Dizzi Gillespie when he gave young Sandoval a trumpet with the inscription “To my son”. Arturo Sandoval is also the author of a second concert for trumpet and orchestra that he and Rubén Simeó, another great Spanish trumpet player, usually perform around the world.
This Concerto No. 1 by Arturo Sandoval that Pacho now adds to his repertoire enlarges the impressive list of new concerts that Pacho himself is promoting through his project of shared commissions for trumpet concerts, which is causing the greatest increase of the soloist repertoire for this instrument in all its history. Composers such as Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Christian Lindberg, Daniel Freiberg and Efraín Oscher participate in this project, and others like Giancarlo Castro, Alain Trudel and Igmar Alderete are also composing new concerts dedicated to Pacho Flores.
After this, the European premiere of Arturo Márquez’s Concierto de Otoño will take place on August 14 at Teatro Campoamor in Oviedo, with the Oviedo Filarmonía and Lucas Macías. This will be the fourth and last premiere after Mexico, USA and Japan with the National Symphonic Orchestra of Mexico under Carlos Miguel Prieto, Tucson Symphony Orchestra under José Luis Gómez, and Hyogo PAC Orchestra led by Michiyoshi Inoue, the four orchestras that commissioned this work. Only two weeks later, on September 1, will follow the premiere in Mexico of Paquito D’Rivera’s Concierto Venezolano by the Orquesta de Minería, again under Carlos Miguel Prieto, who has a great presence in this project by also scheduling Márquez’s Concierto de Otoño at the Opening Gala of the Louisiana Philharmonic Orchestra, of which he is principal conductor. D’Rivera’s Concierto Venezolano already has a second scheduled premiere with the San Diego Symphony under Rafael Payare in March 2020. For his part, Manuel Hernández-Silva will conduct the premiere of the new trumpet concert by Efraín Oscher next November with the Real Filharmonía de Galicia, and we will not have to wait long for the premiere of Roberto Sierra’s Salseando by the Royal Liverpool Philharmonic and Domingo Hindoyan in January 2020.
Pacho Flores faces the Asian premiere of Arturo Márquez’s Concierto de otoño with the Hyogo PAC Orchestra of Japan under Michiyoshi Inoue, that will take place on 24, 25 and 26 May. The concert was previously premiered by the National Orchestra of Mexico under Carlos Miguel Prieto (watch video) and the Tucson Symphony Orchestra under José Luis Gómez, with extraordinary success. The European premiere by the Oviedo Filarmonía and its new principal conductor Lucas Macías will close the round of premieres on 14 August. This concert has attracted the interest of many orchestras and has already been scheduled for the 19/20 and 20/21 seasons in the United States, Colombia, Spain, France, England, Canada and Australia, adding up to 30 performances only in its first three years. Some of them are the Opening Night Gala of the Louisiana Philharmonic Orchestra, with C. M. Prieto; Filarmónica de Bogotá (Colombian premiere), Christian Vásquez; Colorado Springs Philharmonic, Josep Caballé Doménech; Real Filharmonía de Galicia, with Manuel Hernández-Silva, together with the absolute premiere of Efraín Oscher’s new Trumpet concerto; Orchestre National de Lille (French premiere), Josep Vicent; Winnipeg Symphony (Canadian premiere), José Luis Gómez; Liverpool Philharmonic (UK premiere), Domingo Hindoyan, together with the Concierto Salseando by Roberto Sierra, UK premiere as well; Orquesta de Córdoba, Carlos Domínguez-Nieto, together with the absolute premiere of Concierto Mambí by Igmar Alderete; and some other orchestras to be announced.
The commission is part of an ambitious Project of Shared Commissions launched by Pacho Flores himself in order to enlarge the trumpet and orchestra repertoire. It is the first of six commissions to composers Roberto Sierra, Paquito D’Rivera, Efrain Oscher, Christian Lindberg and Daniel Freiberg, involving orchestras from all around the world to premiere these works over the coming seasons. All the concerts resulting from this project will increase Pacho Flores’ discography on his label Deutsche Grammophon.
After its premiere in Liverpool, Salseando will later be premiered in Brazil and other two countries. The Concierto Venezolano by Paquito D’Rivera will also be premiered on 2 September 2019 in Mexico (orchestra and conductor to be announced soon), and afterwards in the United States, Spain and the United Kingdom.
In parallel, Pacho Flores continues receiving new concert dedications and performing premieres. Only during the last year, Pacho has premiered his own work, Cantos y revueltas (January 2018, Real Filharmonía de Galicia, Manuel Hernández-Silva); the concert Stunning Trumpet by Giancarlo Castro (February 2018, Ulster Orchestra, Rafael Payare); Preach pour trompette et orchestre, by Alain Trudel (March 2018, Orchester Symphonique de Laval, Alain Trudel); Double concerto for clarinet and trumpet (August 2018, Norddeutsche Philharmonie Rostock, Markus Bosch); Latin American Chronicles by Daniel Freiberg (January 2019, Het Gelders Orkest, Christian Vásquez); and the new Double concert for trumpet and trombone by Christian Lindberg (March 2019, RTVE Orchestra, Ximo Vicedo and Christian Lindberg); and he plans to premiere the Trumpet Concerto No. 1 by Arturo Sandoval (July 2019, Buenos Aires Philharmonic Orchestra, Enrique Diemecke).
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