Pacho Flores makes his debut with the Quebec Symphony Orchestra on 1 and 2 March under the direction of Anu Tali, with whom he will perform Haydn’s Trumpet Concerto as well as the Canadian premiere of Salseando, the concert composed by Roberto Sierra that has been recently premiered by Pacho in the US with the Tucson Symphony Orchestra and Manuel Hernández-Silva. Salseando is part of the project of shared commissions for new trumpet concerts promoted by Pacho Flores and managed worldwide by his agency, ACM Concerts. It was commissioned by the Royal Liverpool Philharmonic, the Región de Murcia Symphony Orchestra, Orquestra Sinfônica do Estado de São Paulo, and the Orchestre National de Bordeaux-Aquitaine. The first premiere took place in Liverpool with Domingo Hindoyan on 9 January 2020, the Brazilian premiere on 31 March, 1 and 2 April 2022 under Carlos Miguel Prieto, while Hernández-Silva was in charge of the Spanish and French premieres on 17 December 2020 and 3 June 2022, respectively. After the recent US and forthcoming Canadian premiere, Salseando will land on the stands of the San Diego Symphony Orchestra under the baton of Rafael Payare and later return to the Liverpool Philharmonic, which will also record it for Pacho’s next album. The 2023/24 season will also see its Polish premiere, again with conductor Manuel Hernández-Silva.
Other concerts in this project are Concierto de otoño by Arturo Márquez, Concerto Venezolano by Paquito D’Rivera, Danzas Latinas by Efraín Oscher, Caballos mágicos by Christian Lindberg, Historias de Flores y Tangos by Daniel Freiberg, and Altar de Bronze by Gabriela Ortiz. The first three of them, along with Sierra’s Salseando, have already completed their cycle of premieres with the commissioning orchestras and begun a fruitful career. Lindberg and Freiberg concerts are currently being premiered, and Altar de Bronce, the last concert to join the project, will soon begin its premiere cycle with the Galician Symphony Orchestra and Hernández-Silva, to continue with the Royal Liverpool Philharmonic, Minería Symphony Orchestra, New World Symphony and San Diego Symphony.
Meanwhile, there have also been other premieres such as Concierto Mambí, by Igmar Alderete, with the Cordoba Orchestra and Carlos Domínguez-Nieto, or Invocation, by Eleanor Alberga, with the London Schools Orchestra and Peter Ash. Other premieres are scheduled, such as the new concert by Tuomas Turriago with the Tampere Filharmonia and Christian Vásquez, or Divertimento Caribeño, by Sonia Morales, with the Central Ohio Symphony Orchestra and Jaime Morales conducting, among others to be announced in due course.
Hernández-Silva and Pacho Flores meet once again, this time together with the Tucson Symphony, to offer the US premiere of Salseando, the trumpet concerto that Roberto Sierra wrote for Pacho. Commissioned by the Royal Liverpool Philharmonic, Sinfônica do Estado de São Paulo, Symphony Orchestra of the Region of Murcia in Spain, and Orchestre National de Bordeaux-Aquitaine, Hernández-Silva himself was in charge of its Spanish and French premieres with the latter two. Boceto Sinfónico, by maestro Manuel Moreno Buendía, will also be premiered in the US, and the program will be completed with the Symphonic Dances from West Side Story, by Bernstein, and Tchaikovsky’s Romeo and Juliet Overture-Fantasy.
The history of collaborations between Hernández-Silva and Pacho Flores is so long that it would occupy several pages, but due to their relevance it is worth noting the World premieres of Cantos y Revueltas, by Pacho Flores himself, or Danzas Latinas, by Efraín Oscher, both with the Real Filharmonía de Galicia; the aforementioned premiere of Salseando, by Sierra, with the Symphony Orchestra of the Region of Murcia and the National Symphony of Bordeaux-Aquitaine; the premiere of the Concerto Venezolano by Paquito D’Rivera with the Orquesta de València; and the upcoming premieres of Historias de Flores y Tangos, by Daniel Freiberg, with the Arctic Philharmonic of Norway next March, and Altar de Bronce, trumpet concert by Gabriela Ortiz, with the Sinfónica de Galicia next April. Hernández-Silva is also responsible for conducting the fourth album by Pacho Flores for Deutsche Grammophon, entitled Cantos y Revueltas, together with the Real Filharmonía de Galicia, which also includes the participation of Leo Rondón as a cuatrista.
In Spain, Hernández-Silva and Pacho Flores have already played together with the aforementioned Real Filharmonía, Región de Murcia and Valencia orchestras, as well as with the Málaga Philharmonic, the Navarra Symphony, the Gran Canaria Philharmonic and the Extremadura Orchestra, and will soon have a double performance with the Sinfónica de Galicia.
Christian Vásquez and Robert Lakatoš will work together for the first time this coming February 10, with the Polish Baltic Philharmonic to offer a program that includes Henryk Wieniawski’s Violin Concerto No. 1 and Béla Bartók’s Concerto for Orchestra. Lakatoš recently offered this same concert in Spain together with Manuel Hernández-Silva and the Royal Philharmonic of Galicia. Vásquez is coming off garnering extraordinary reviews leading the Orchestre Pasdeloup and assisting Gustavo Dudamel in Tristán and Isolde at the Paris Opera, where he will return in April to direct a ballet performances.
Robert Lakatoš grew up in a musical family and began his studies at the age of seven in his hometown of Novi Sad at the hands of his father, Imre Lakatoš. He was the youngest student to graduate from the Novi Sad Academy of Arts, where he studied under renowned pedagogue Dejan Mihailović. He continued his training at the Zurich University of the Arts with Rudolf Koelman, where he received a Swiss Lyra Foundation Scholarship for Exceptionally Gifted Musicians, and has attended study programs with leading international violinists such as Aaron Rosand at the New York Summit Music Festival, and Julian Rachlin at the Vienna University of Music and Arts. Robert won first prize at the Pablo Sarasate Competition in Pamplona (2015), as well as previously first prize at the Mary Smart Concerto Competition (New York, 2013), and the prestigious Andrea Postacchini (Fermo, Italy, 2012) or Juventudes Musicals from Romania, who opened the doors to his international career on the main stages of the world.
Christian Vásquez has been Music Director of the Teresa Carreño Symphony Orchestra of Venezuela, which he conducted on a notable tour of Europe that took them to London, Lisbon, Toulouse, Munich, Stockholm and Istanbul. He has also been Principal Conductor of the Stavanger Symphony Orchestra between 2013 and 2019 and Principal Guest Conductor of the Het Gelders Orkest from 2015 to 2020. Following his debut with the Gävle Symphony Orchestra in 2009, Christian Vásquez was named its Principal Guest Conductor between 2010 and 2013. He has worked with the Philharmonia Orchestra, Residentie Orkest, Orchester de la Suisse Romande, Vienna Radio Symphony, Salzburg Camerata, Russian State Symphony, Tokyo Philharmonic and Singapore Symphony. In North America he has conducted the National Arts Center Orchestra (Ottawa) and the Los Angeles Philharmonic, during his participation in their Young Artist Fellowship Program. He has worked with orchestras such as the Royal Northern Sinfonia, Orchester National du Capitole de Toulouse, Symphony of Galicia, Berlin Konzerthausorchester, Prague Radio Symphony, Warsaw Beethoven Festival, Turku Philharmonic, Prague Radio Symphony, Poznan Philharmonic, New Jersey Symphony, Helsinki Philharmonic, Mexico National, Rotterdam Philharmonic, Basel Symphony, Munich Philharmonic, Estonian National, Gran Canaria Philharmonic or Ireland TEN National. His first operatic engagement in Europe was at the Norwegian Opera with Carmen. Upcoming engagements include the Opéra National de Paris as Gustavo Dudamel’s assistant and concerts in Poland, Spain, Norway, Israel, Korea and the US.
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