{"id":7051,"date":"2019-01-27T20:52:50","date_gmt":"2019-01-27T18:52:50","guid":{"rendered":"https:\/\/acmconcerts.com\/?p=7051"},"modified":"2019-01-28T20:47:29","modified_gmt":"2019-01-28T18:47:29","slug":"pacho-flores-dazzles-in-tucson","status":"publish","type":"post","link":"https:\/\/acmconcerts.com\/en\/pacho-flores-dazzles-in-tucson\/","title":{"rendered":"Pacho Flores dazzles in Tucson"},"content":{"rendered":"
ONE:\u00a0this is a brilliant program.\u00a0<\/b>Two brass concerti, featuring Venezuelan super-virtuoso Pacho Flores, and two popular Aaron Copland works, were bookended by sublime overtures by Mozart and Bernstein. ONE-A: a surprising common musical thread weaves its way through Mozart’s\u00a0Overture to ‘The Abduction from the Seraglio’, the ‘Concerto for Corno da Caccia’, by J.B.G. Neruda (a contemporary of Bach and Mozart), and the first movement of the new Arturo M\u00e1rquez ‘Concerto for Trumpet<\/a>‘ \u2013 a sustained, repeated melodic syncopation. The TSO Music Director, Jos\u00e9 Luis Gomez, is a sly one!<\/span><\/div>\n
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\"Pacho

Copyright: Steven Gendel<\/p><\/div>\n<\/div>\n

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TWO: this performance by\u00a0Pacho Flores<\/b>\u00a0was a soulful and energetic gift to this audience. His\u00a0tone, articulations, and musicality are masterly, while his virtuosity is both easy and mesmerizing.<\/b>\u00a0TWO-A: the Marqu\u00e9z Concerto, written specifically for Pacho, covers a vast array of styles, and utilizes a different type of “corno” instrument for each movement. The finale, a virtuosic masterpiece, was given a BLISTERING, ear-opening performance by Pacho Flores \u2013 worth the price of admission alone. Even the (infamously sleepy) Tucson classical concert crowd was wowed to ovation. TWO-B: Se\u00f1or Flores has a decidedly humorous side to his stage presence. To whit: solo brass performances always contain the necessary act of emptying the spit valves on the instrument. In the Neruda concerto, Pacho, large in physical stature, went through this routine with his miniature horn, emptying one valve, then holding the instrument above head level, to blow the saliva out of the second valve. Every player must engage in this chore, yet repeatedly executed, directly in front of the audience under spotlight, almost became a comic relief act during the beautifully and generously performed concerto. When, at the the end of the M\u00e1rquez concerto, and again after the accompanied encore, Pacho tooted a spoiler note towards his comrade in arms, Jos\u00e9 Luis, the complete picture of his honest, open, and lovable joviality was complete.\u00a0Great musicianship and fun showmanship all around!<\/b>\u00a0As composer Marqu\u00e9z, who was here for this premier, came to the stage, a heart-warming, congratulatory celebration ensued between these three latin musical stars. What a treat for both the audience the orchestra!<\/span><\/div>\n
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\"Arturo<\/div>\n
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The second half opened — accompanied by the orchestra playing Copeland’s familiar ‘Our Town’ — with\u00a0a splendid\u00a0photographic presentation,\u00a0<\/b>projected above the Music Hall stage,of the history of the TSO, now in its 90<\/b>th<\/b><\/sup>\u00a0year, and other events and places in this city’s storied cultural\u00a0history<\/b>. A very moving experience for everyone in attendance. The second half feature, the ever-popular ‘Four Selections From Rodeo’ by Copeland, and especially\u00a0Bernstein’s virtuoso circus for orchestra, A.K.A. ‘The Overture to Candide’, were given, on this night, top notch\u00a0execution and interpretation. These closing pieces, again, as we have come to expect, showed off the\u00a0beautiful marriage of this orchestra and its Music Director. This is a fine, fun, and talented ensemble, whose love for its conductor is expressed in how well they respond to his exuberant, expressive direction. It is obvious, watching and listening, that this immense positive energy overflows in both directions.\u00a0This longish program, was yet satisfying\u00a0every joyful step of the way. Bravi, tutti!<\/b><\/span><\/div>\n
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Friday night, 25 January 2019, Tucson Symphony Orchestra’s\u00a0‘Fresh Music, Copland and More’<\/b>\u00a0Classic concert:<\/span><\/div>\n
gendelsmusicreviews.blogspot.com<\/a> – Steven Gendel – Tucson, 26.01.2019<\/span><\/div>\n<\/div>\n
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ONE:\u00a0this is a brilliant program.\u00a0Two brass concerti, featuring Venezuelan super-virtuoso Pacho Flores, and two popular Aaron Copland works, were bookended by sublime overtures by Mozart and Bernstein. ONE-A: a surprising common musical thread weaves its way through Mozart’s\u00a0Overture to ‘The Abduction from the Seraglio’, the ‘Concerto for Corno da Caccia’, by J.B.G. Neruda (a contemporary […]<\/p>\n","protected":false},"author":3,"featured_media":7055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_ayudawp_aiss_exclude":false,"footnotes":""},"categories":[4],"tags":[1708,1717,1718,1922,4081,4085,4624,4631,4632,4633,879,885,1011],"class_list":["post-7051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-christian-lindberg-en","tag-roberto-sierra-en","tag-arturo-marquez-en","tag-michiyoshi-inoue-en","tag-tucson-symphony","tag-oviedo-filarmonia","tag-daniel-freiberg","tag-orquesta-nacional-de-mexico","tag-carlos-miguel-prieto","tag-jose-luis-gomez","tag-pacho-flores-en","tag-efrain-oscher-en","tag-paquito-drivera"],"yoast_head":"\nPacho Flores dazzles in Tucson - 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