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Fulvio Bettini established a long-term collaboration with many internationally renowned ensembles on period instruments, including Les Concerts de les Nations\/La Capella Reial de Catalunya, The English Concert, L\u2019Arpeggiata, La Petite Bande, the Akademie f\u00fcr Alte Musik Berlin, Il Giardino Armonico, appearing in the most important festivals, concert seasons and opera houses, from the Musikverein in Vienna to the Lucerne Festival, from the Staatsoper unter den Linden Berlin to La Monnaie Bruxelles. He works with the conductors Christina Pluhar, Ren\u00e9 Jacobs, Jordi Savall, Sigiswald Kuijken, Giovanni Antonini, Ottavio Dantone, Diego Fasolis.<\/span><\/p>\n His wide repertoire ranges from the Renaissance to contemporary music, with special emphasis on Baroque composers. He sung operatic roles by Monteverdi, Carissimi, Cavalli, Conti, Draghi, Galuppi, Glass, Gluck, Handel, Haydn, Mozart, Porpora, Sarro, Sellitto, Telemann, Vivaldi. Fulvio performed also Bach Cantatas and enjoyed notable successes with Mendelssohn\u2019s Walpurgisnacht<\/em>, Handel\u2019s Apollo e Dafne<\/em>, Berlioz\u2019s Lelio<\/em>, Mozart\u2019s Don Giovanni<\/em> (Leporello) and Cos\u00ec fan tutte<\/em> (Don Alfonso), Haydn\u2019s Il mondo della luna<\/em>(Buonafede) and Gluck\u2019s La rencontre impr\u00e9vue ou Les P\u00e9lerins de la Mecque<\/em> in Tokyo, the Italian premi\u00e8re of Satyagraha<\/em> by Philip Glass, Monteverdi\u00b4s Il combattimento di Tancredi e Clorinda<\/em> (Testo) and Il Vespro della Beata Vergine<\/em>.<\/span><\/p>\n In Monteverdi\u2019s L\u00b4Orfeo<\/em>, Fulvio performed the roles of both Orfeo and Apollo, in particular in a production under Jordi Savall and the stage direction by Gilbert Deflo, followed by a DVD. A further appearance under Jordi Savall was in Vivaldi\u2019s Farnace <\/em>(Aquilio) in Madrid and Bordeaux. He toured Europe in Sarro\u2019s opera buffa La furba e lo sciocco<\/em> and Sellitto\u2019s La vedova ingegnosa<\/em> with La Petite Bande and Sigiswald Kuijken. Fulvio was often guest of the Festspiele Potsdam Sanssouci, singing Vivaldi\u2019s La fida ninfa<\/em> (Oralto) under Sergio Azzolini, Cavalli\u2019s La Rosinda<\/em> under Mike Fentross and Bontempi\u2019s Il Paride<\/em> under Christina Pluhar. Ren\u00e9 Jacobs invited Fulvio to performe Conti\u2019s Don Chisciotte in Sierra Morena<\/em> (Sancio Pansa) in Innsbruck, L\u2019incoronazione di Poppea<\/em> in Berlin und Bruxelles, and Radamisto<\/em> in Vienna. A collaboration with Il Giardino Armonico brought Fulvio to Salzburg and Lucerne (world-premiere in modern times of Conti\u2019s oratorio Il martirio di San Sebastiano<\/em>), Graz (L\u2019Orfeo<\/em>, title-role and Agrippina<\/em>\/Pallante), Geneva (L\u2019Orfeo<\/em>\/Apollo). Among his several recordings are Draghi\u2019s oratorio La vita nella morte<\/em> under Christophe Coin (Astr\u00e9e\/Auvidis), Vivaldi\u2019sFarnace<\/em> (Alia Vox), Galuppi\u2019s Il mondo alla roversa<\/em> (Chandos) and Handel\u2019s Faramondo<\/em> both under the conduction of Diego Fasolis (Virgin Classics), Via Crucis<\/em> (Virgin Classics) with L\u2019Arpeggiata, La Rosinda<\/em> (Ludi Music). His coming engagements include the debut as Conte Almaviva\/Le nozze di Figaro<\/em> in Tokyo and Paisiello\u2019s Il barbiere di Siviglia<\/em>under Ren\u00e9 Jacobs in Vienna.<\/span><\/p>\n Fulvio began his musical education at very young age, singing in boy choirs, later attending singing classes at the Pontificio Istituto di Musica Sacra of Milan, and at the Conservatorio of Milan under the guidance of Margareth Hayward, followed by master classes in The Netherlands and Germany.<\/span><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Texto” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]Descargar BIO PDF<\/a>
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