The New Haven Symphony Orchestra Board of Directors is pleased to announce that Perry So has been appointed as its next Music Director. Perry will assume the title of Music Director beginning with the 2024-2025 season, succeeding Alasdair Neale, who will end his five-year tenure with the orchestra in May 2024. The announcement was made this morning at a press conference held at the Stetson Branch of the New Haven Free Public Library. NHSO Board of Directors President Keith B. Churchwell, MD says: We are truly excited that Maestro So has agreed to join the NHSO as its Music Director beginning with our 2024-25 season. His ties to the New Haven area coupled with his expert musicianship and his great desire to invest in the New Haven community along multiple avenues will continue the work that has matured under Maestro Neale’s leadership over the past four years despite extremely challenging circumstances. We thank Alasdair for his wonderful work and residency with the Symphony and look forward in the coming years to Perry’s tenure with the NHSO!
Perry So is currently Chief Conductor and Artistic Director of the Orquesta Sinfónica de Navarra. He served as Associate Conductor of the Hong Kong Philharmonic, Conducting Fellow of the Los Angeles Philharmonic, Artistic Collaborator of the Orquesta Sinfónica del Principado de Asturias in Spain, and on the conducting faculty of the Manhattan School of Music. As a student at Yale University he founded an orchestra and led the undergraduate opera company. He received his training as a conductor initially under James Sinclair and subsequently with Gustav Meier at the Peabody Institute in Baltimore and received First and Special Prizes at the International Prokofiev Conducting Competition in St Petersburg, Russia. Perry says: I am deeply honored to be entrusted with the artistic leadership of the New Haven Symphony — the first US professional orchestra I heard when I arrived in this country when I was 18, in the city that my wife and I love and called home for a decade. When I came back this March to work with the orchestra, I encountered an artistically adventurous group of musicians motivated by a profound love for music and dedicated to serving the community. The commitment at every level of the organization to telling a fuller story of our unique American musical heritage than ever before — and doing so in a way that gives voice to those great talents who have been unjustly excluded — gives me great excitement for what we will be able to accomplish together in the years ahead. I look forward to conversations with all of our partners in the weeks and months ahead to learn how we can best serve the New Haven community together. Most of all, I look forward to the many moments of musical joy that we will share in the years to come.
The New Haven Symphony Orchestra’s search process began in 2021 with the formation of a search committee comprising NHSO Board Directors, musicians, and community leaders. After a rigorous screening process of more than 200 applicants from across the globe, the search committee invited four finalists, including So, to rehearse and conduct the orchestra. Throughout the audition process, the search committee received input from the orchestra’s musicians, audience members, community stakeholders, and administrative staff. We are thrilled to welcome Perry So as the next Music Director of the NHSO, says NHSO Concertmaster David Southorn. With his captivating presence on stage and inspiring performance this past spring, we are excited for the artistic journey that lies ahead under his leadership in New Haven.
The fourth-oldest orchestra in America, the New Haven Symphony Orchestra’s exceptional and accessible performances and education programs reach more than 40,000 audience members and 20,000 students each year. Innovative programming and a dedication to the commission of new works inspires deeper audience engagement and meaningful artistic and educational collaborations. Through the nationally-acclaimed Harmony Fellowship program, as well as numerous award-winning education and community engagement programs, the Symphony strives to be a leader for racial equity in the arts.
Manuel Hernández-Silva returns to the Český Krumlov Festival in the Czech Republic to lead the Prague Philharmonia in a Spanish program that includes orchestral music, a guitar concert and zarzuela numbers. He will be accompanied on this occassion by other great Spanish artists such as the guitarist Rafael Aguirre, the soprano Beatriz Díaz and the tenor Pablo García López. The program will begin with Musas y Resuello, by Pacho Flores, which will premiere in the Czech Republic; the Concierto de Aranjuez, by Joaquín Rodrigo, and will feature in the second part a selection of romances, duets and orchestral numbers from zarzuelas by Soutullo, Moreno Torroba, Moreno Buendía, Chapí, Barrera, Giménez and Fernández Caballero. The concert will take place at the Pivovarská Zahrada next Saturday, July 22 at 8:30 p.m.
Hernández-Silva already conducted a similar program last season together with the Orquestra Sinfônica do Estado de São Paulo, obtaining an overwhelming success in the three concerts they offered of this project, which was video-recorded. On that occasion he was also accompanied by Díaz and Aguirre, while the tenor roles were sung by the Colombian tenor César Gutiérrez. With this concert in the Czech Republic, Hernández-Silva closes a great season that began at the Festival de Música Sacra de Bogotá with the monumental Symphony No. 3 by Henryk Górecki, and continued in Cyprus with Pacho Flores before returning to Spain, where he conducted the Valencia orchestra in a subscription concert at the Iturbi Piano Award, and the Orchestra of the Escuela Superior de Música del País Vasco (Musikene).
Javier Perianes and Hernández-Silva at the Ceski Krumlov Festival in 2017. Photo: Libor Sváček
He then traveled to the US to conduct again the Tucson Symphony Orchestra, beginning an intense period that also took him to France to lead the Orchestra National des Pays de la Loire and then to Norway for a fruitful debut with the Arctic Philharmonic that earned him a new invitation for the 2025/26 season. Afterwards, he returned to America to conduct the opening concert of the Buenos Aires Philharmonic Orchestra season before facing a double invitation with the Galician Symphony, where he also had the opportunity to conduct its young orchestra. He would yet return to Latin America on two other occassions to conduct a subscription concert of the National Symphony of Colombia and to attend a second invitation in the season of the Buenos Aires Philharmonic. Next season, Hernández-Silva will have a greater presence in Spain with returns to orchestras such as Granada, Córdoba or Murcia, while abroad he is expected in Poland, Sweden, Argentina or Singapore.
Pacho Flores makes his debut with the Los Angeles Philharmonic Orchestra and Gustavo Dudamel on July 18 at the Hollywood Bowl, where he will perform Arturo Márquez’s Concierto de Otoño. The Márquez’s Concerto is part of a program that includes the premiere of La Serpiente de Colores, by Cortés-Álvarez, commissioned by the orchestra, and Estancia, de Ginastera in its complete ballet version. Pacho, who has just closed his residency with the Royal Liverpool Philharmonic, with which he offered the British premiere of Altar de Bronce by Gabriela Ortiz, thus puts the finishing touch to a season that has taken him to Mexico, Singapore, Cyprus, Germany, Venezuela, Great Britain, Serbia, Norway, Spain, Colombia, and twice to Canada —Quebec and Montreal—, as well as several times to the US, including his debut with the San Francisco Symphony, his returns to Tucson and San Diego, where he is a frequent guest, and new visits to Dartmouth College or the Walla Walla Symphony Orchestra.
This season, he has also closed the premiere cycle of Historias de Flores y Tangos by Daniel Freiberg and began the one for Altar de Bronce by Gabriela Ortiz with the Galicia Symphony conducted by Hernández-Silva. Pacho has also released his latest recording, ESTIRPE, with Deutsche Grammophon. Dudamel closes a list of conductors with whom Pacho has worked this season and which includes Manuel Hernández-Silva, José Luis Gómez, Christian Vásquez, Domingo Hindoyan, Rafael Payare, Carlos Miguel Prieto, Felix Mildenberger, Anu Tali and Alondra de la Parra.
Next season, which will again begin in Mexico, will see Pacho’s debut with new US orchestras such as the Minnesota Symphony Orchestra, the North Carolina Symphony or the New World Symphony, as well as his return to San Diego to close the cycle of premieres of Gabriela Ortiz and to Ohio for the premiere of Christian Lindberg’s Magical Horses. He will also appear at the Casals Festival in Puerto Rico and the Bravo Veil! Festival in Colorado, and will perform in Sweden, Germany, Poland, Finland and again Singapore and Norway, as well as in many Spanish orchestras such as the Orquesta Ciudad de Granada and the Orquesta Simfónica del Vallès, with which he will make his debut, the Filarmónica de Gran Canaria, the Orquesta Sinfónica de la Region of Murcia or the Orquesta de Córdoba.The 23/24 season will also see the premiere of Pacho’s clarinet concerto, written for Juan Ferrer and commissioned by the Orquesta Sinfónica de Galicia, the Orquesta de Extremadura and the Orquesta Sinfónica de la Region of Murcia.
Pacho Flores ends his artistic residence with the Royal Liverpool Philharmonic Orchestra with a concert that will take place next Saturday, July 8 at the Liverpool Philharmonic Hall, again under the baton its principal conductor, Domingo Hindoyan. This concert will host the British premiere of Altar de Bronce, a trumpet concerto by Gabriela Ortiz. This piece is the latest in the project of shared commissions for new trumpet concertos to prominent composers such as Arturo Márquez, Roberto Sierra, Paquito D’Rivera, Daniel Freiberg, Efraín Oscher, Christian Lindberg and Ortiz herself.
This will be the second premiere of the cycle, after the Spanish premiere last April by the Galician Symphony Orchestra under Manuel Hernández-Silva, in whose season Pacho was also artist-in-residence. The next premieres will take place in Mexico this summer, with the Orquesta de Minería and Carlos Miguel Prieto, and throughout the 2023/24 season in the US, with the New World Symphony and Prieto, and the San Diego Symphony under Rafael Payare. The program of this concert also includes Roberto Sierra’s Salseando, in whose shared commission the British orchestra also participated. This piece was premiered by the Royal Liverpool Philharmonic in January 2020, together with the orchestras of Murcia and Bordeaux, in both cases conducted by Hernández-Silva, and the orchestra of São Paulo led by Prieto.
Ortiz closes for now this project of commissions that has resulted in seven new concerts for the solo trumpet and orchestra repertoire. These pieces are being incorporated into Pacho’s discography on Deutsche Grammophon, such as his most recent album, Estirpe, which was released in the summer of 2022 and contains Concierto de Otoño, by Arturo Márquez, and Concerto Venezolano, by Paquito D’Rivera, together with Crónicas Latinoamericanas by Daniel Freiberg and Efraín Oscher’s Concierto Mestizo, which aren’t part of this project but were also written for Pacho.
Manuel Hernández-Silva returns to Argentina to conduct the Buenos Aires Philharmonic at the Teatro Colón for the second time this season. If last March he assumed the responsibility of conducting the opening concert of the season with a monograph on Brahms, on this 8th subscription concert, which will take place on Saturday, July 1, he will conduct Diario VI, by Gerardo Gandini, one of the most important Argentine composers of the 20th century, Mozart’s Sinfonia Concertante for violin and viola —with Xavier Inchausti, violin, and Pablo Saraví, viola, as soloists—, and Dvořák’s Symphony No. 7. His stay in Argentina will be extended for a week to offer a concert with the orchestra in the city of Rosario.
In recent seasons, Manuel Hernández-Silva’s relationship with the Buenos Aires Philharmonic has strengthened considerably. Around these dates in 2019 he conducted, in his debut with the orchestra, two consecutive subscription programs, and he returned again in July 2022. Dvořák’s 8th Symphony, Schumann’s 2nd, Schubert’s 6th or Brahms’s 1st are some of the great symphonies that were part of his programs with the Philharmonic, along with concerts such as Saint Saëns’s Piano concerto No. 2, Beethoven’s Violin concerto No. 2 or Brahms’s Violin concerto, with soloists such as Martina Filjak, Arta Arnicane or Sergei Dogadin. Beethoven, Ravel and Berlioz are other composers whose works he conducted at the Colón, along with a world premiere by the Argentine composer Claudia Montero.
Upcoming engagements include the Praga Philharmonia at the Český Krumlov International Festival in the Czech Republic, the Swedish Chamber Orchestra, the NFM Wroclaw in Poland, the Singapore Symphony Orchestra or his return to the Norwegian Arctic Philharmonic. In Spain he is expected again in the orchestras of Córdoba, Ciudad de Granada and the Symphony Orchestra of the Region of Murcia.
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